Fall/Winter 2026

Book Details: HardcoverISBN-13: 9781954119642112 pages; 55 Photographs8 x 10 inchesForeword by Jill SterrettEssay by Lisa Stone*Books will ship in DecemberA reconsideration of Lewis Koch's seminal photographic work on vernacular architecture, Quiet Eccentricities: The Vernacular Seen presents mostly unpublished work made for a National Endowment for the Arts Photography Survey project which took place in southern Wisconsin, in the early 1980s. In addition to a key selection of the original images, an essay by curator and art historian Lisa Stone examines Koch's photographs of commonplace structures in relation to his early work which preceded the NEA project, and the later work which it in turn inspired.Drawing upon aspects of photography, sculpture, assemblage and text, Lewis Koch calls attention to the often unremarked upon elements of everyday life. Over the past fifty years, he has presented installations in garages, on kiosks and billboards, as well as in museums and galleries, in solo exhibitions internationally. His work is held in permanent collections which include the Metropolitan Museum of Art, Art Institute of Chicago, Smithsonian Museum of American Art, National Gallery of Art, and many more.Jill Sterrett is Director of Collections at the Wisconsin Historical Society. Before her tenure in Wisconsin, she held leadership positions at the Smart Museum of Art (Chicago), and for 28 years at the San Francisco Museum of Modern Art. Lisa Stone is an independent curator/collaborator, preservation consultant, and retired (2020) curator of the Roger Brown Study Collection, and Senior Lecturer in the Department of Art History, Theory, and Criticism, both at the School of the Art Institute of Chicago (SAIC). View Details

Quiet Eccentricities

Lewis Koch

Fall/Winter 2026

Book Details: HardcoverISBN-13: 978195411961196 pages; 30 Photographs9 x 13 inches$50 USLighting Director and Visual Collaborator: Lipe Borges*Books will ship in DecemberInvisible Threads is a collaborative portrait and narrative project that offers an intimate look into the lives of immigrants who have made Cape Cod their home. Created through a shared process between photographer Julia Cumes, lighting director Lipe Borges, and the subjects themselves, the portraits are intentionally constructed rather than photojournalistic, shaped through conversation, trust, and personal choice.Often understood primarily as a summer destination, Cape Cod is also one of the earliest landing points in the United States’ immigration history—a place shaped for centuries by arrival, labor, displacement, and reinvention. Drawing on this deeper historical context, the project connects contemporary migration stories to a much longer American narrative. Through carefully crafted portraits made in homes, workplaces, and meaningful personal spaces, Invisible Threads reflects resilience, identity, and the enduring human search for belonging. Extended captions drawn from in-depth interviews allow participants to shape their own narratives, centering dignity, agency, and authenticity.Julia Cumes is a South Africa–born, Cape Cod–based photographer whose work explores identity, migration, community, and human connection through collaborative, narrative-driven portraiture. Growing up in apartheid-era South Africa, she became aware early on of photography’s power to reveal truth, evoke empathy, and foster dialogue—an understanding that continues to inform her practice.Lipe Borges is a Brazilian-born photographer and lighting director based on Cape Cod. Borges brings a cinematic, narrative-driven approach to portraiture, using carefully constructed lighting environments to create images with emotional depth and psychological presence. View Details

Invisible Threads

Daylight Books

Fall/Winter 2026

Book Details: HardcoverISBN-13: 9781954119604112 pages; 60 Photographs6.75 x 9.5 inches*Books will ship in Decemberthe last post compiles the last photographs shared on social media by individuals who have passed away, accompanied by text detailing their images and deaths. It examines the aesthetics of vernacular imagery and explores perspectives on mortality and life, while investigating how images circulate in the age of digital sharing.This book is deliberately structured as an incomplete, tactile puzzle: it consists of 50 images re-photographed from illuminated screens, each with a corresponding text piece. Half of the book presents a sequence of images that invite ambiguous, fictional narratives. In contrast, the other half contains only text that reveals the true stories behind each photograph and death. The book’s unique mirrored structure—where the first photo corresponds to the last text piece, and vice versa—requires the viewer to actively navigate between the two halves using small navigation markers on each spread. This design ignites touch, interruption, and attention, foregrounding the book's physicality and pacing as an experience that emerges only through direct engagement.By separating images and texts, the book creates distinct layers of fiction and reality, forming an intimate zone of inquiry in which readers can explore the mysterious connections/disconnections between the depictions of life and facts of death and construct their own meanings as they flip through the pages.Tianqiutao Chen is an artist and educator working in China and the United States. He received an MFA in Photography and an MA in Art + Design Education from Rhode Island School of Design. Chen’s work has been exhibited widely, including at the Photographic Center Northwest (Seattle, USA), Center for Photography at Woodstock (Woodstock, NY), Modern Art Oxford (Oxford, UK), Minsheng Art Museum (Beijing, China), Sarajevo Photography Festival (Sarajevo, BiH), DongGang International Photo Festival (Yeongwol, South Korea), and Copenhagen Photo Festival (Copenhagen, Denmark), among others. His work was selected for the 2022 Critical Mass Top 50 and the 2025 URBAN Photo Awards Winners Shortlist for the Projects & Portfolios Category. His photobook won the 2017 Lucie Photo Book Prize for the Independent Publishing Category. View Details

the last post

Tianqiutao Chen

Fall/Winter 2026

Book Details: HardcoverISBN-13: 9781954119550164 pages; 136 Photographs7.5 x 9 inches$50 US Foreword by Phila Lorn*Books will ship in DecemberFamily Preserves: Home-Cooked Stories from Immigrant Kitchens is a visual anthology spotlighting the cultural identities of immigrant American families through food, memory, and tradition. Photographer and writer Cielito Mercado Vivas traveled across six states, documenting thirteen families with roots around the world through intimate kitchen portraits, extensive interviews, and accompanying narrative essays. Through these multigenerational stories, Vivas explores food as a source of comfort, a vessel for cultural inheritance, and a battleground for assimilation. Together, the stories reveal the complex landscape of immigrants and their children building lives in America.Cielito Mercado Vivas is an award-winning travel and portrait photographer and the author of Family Preserves. Her work unpacks the human condition, capturing the essence of communities and individuals across the globe. Born and raised in Philadelphia to immigrant parents, her diverse upbringing sparked a fascination with different cultures. She has since called New York City and Barcelona home, experiences that have further shaped her curiosity and passion for storytelling. Through her work, she aims to illuminate the soul of her wide range of subjects, from cooks to iconoclasts to neighborhoods. Her photography has been published nationally and internationally.Phila Lorn is a Cambodian American chef from Philadelphia and co-owner of the acclaimed restaurants Mawn and Sao. In 2025, he won the prestigious James Beard Award for Emerging Chef and was named one of Food & Wine’s Best New Chefs. View Details

Family Preserves

Cielito Mercado Vivas

Backlist Highlights

Spring/Summer 2026

Book Details: HardcoverISBN-13: 9781954119567 Hardcover (two books in slipcase) Book 1: 168 pagesBook 2: 200 pages8in x 10inEssays by: Miss Rosen and Theodore ZinnFeatured in AnOther Magazine"The photography is stunning, the words...even more-so. It is such important work."-Adam TaubenfligeDuring the 2020 Covid-19 lockdown, Vincent Cianni revisited over one hundred rolls of film from NYC Pride marches photographed between 1985 and 1995. For three months, he spent 6 to 8 hours a day, 5 to 6 days a week in the darkroom, editing and printing more than 140 photographs, many of which had never been printed before. The images documented Pride marches that took place during the height of another health crisis, the AIDS epidemic, the insidious and devastating disease that ravaged the LGBTQ+ community. The parallels between the two health crises became clear as news reports on the pandemic unfolded, revealing the same failures of government repeating themselves yet again. The marches also affirmed that healthcare, including treatment for people with HIV/AIDS, is a right. They demanded an end to the stigma and criminalization of HIV, as well as a more effective response from medical and government agencies and officials who fail to provide funding for research on medical treatment or offer legal, housing, and medical services to people with limited access. This demonstration of solidarity strengthened the sense of community and helped protect the rights earned from the Stonewall Rebellion in 1969 and the first NYC Pride March, also known as the Christopher Street Liberation Day March, which took place on June 28, 1970, one year after the Stonewall Rebellion."Archive/Journal: 1985-1995/2001" is a two-volume title in a slipcase bringing together two related bodies of work: Volume 1, "Archive 1985-1995," reproduces approximately 80 black-and-white photographs made of the NYC Pride marches during the height of the AIDS epidemic from 1985 to 1995. The photographs are accompanied by timelines, ephemera, newspaper articles, etc., and essays by Miss Rosen and Theodore Zinn, to expand the political, social, and historical understanding of the culture, activism, and milieu of the LGBTQ+ community. Volume 2: "Journal: 1985-2001" focuses on personal narratives culled from Cianni's journals, and visual stories of lovers and friends who were living with or who died from AIDS, reflecting on his journey with HIV and his experience with activism surrounding HIV/AIDS from the same period as the Pride photographs.Vincent Cianni is a documentary photographer, educator, and activist who explores social justice through image, text, and audio. He was Adjunct Associate Professor at the Parsons School of Design for 30 years and the founder and director of the Newburgh Community Photo Project, a grassroots community photo workshop in Newburgh, NY. We Skate Hardcore was published by NYU Press and the Center for Documentary Studies in 2004, and a major survey was exhibited at the Museum of the City of New York in 2006. Gays in the Military (GITM) was published by Daylight Books in May 2014 and was featured in the New York Times Sunday Review and The Katie Couric Show.Miss Rosen is a New York-based writer focusing on art, photography, and cultural history. Her work has been published in books by Janette Beckman, Joe Conzo, Martha Cooper, and Arlene Gottfried, as well as publications including The New Yorker, The Village Voice, i-D, Dazed, and AnOther.Theo Zinn (they/them) is a graduate of Drexel University (2025), with degrees in art history and photography. Their research focuses on contemporary art and the history of queer photography. As a photographer, Theo primarily shoots live concerts and theater performances, as well as BTS for film sets. View Details

Archive / Journal: 1985 - 1995/2001

Vincent Cianni

Spring/Summer 2026

Book Details: HardcoverISBN-13: 9781954119529140 pages; 98 Photographs6.75 x 9.5 inches$50 US Afterword by Kendell Pinkney A Peoplehood | Amiut Yehudit is an intimate and layered exploration of contemporary Jewish identity. Through a conceptual documentary lens, Marnie Salsky weaves together present-day photographs, archival imagery, interview excerpts, and fragments from social media and print news. These elements serve as artifacts that mirror the various facets through which Jewish identity is witnessed, refracted, and archived. The result is a textured portrait of a community navigating belonging, diversity, and the lived experience of antisemitism.Marnie Salsky is a Toronto-based photographer and documentary media artist whose work explores contemporary Jewish identity, collective memory, and the lived experience of antisemitism. Through a conceptual documentary approach, she combines photographs, archival materials, interviews and fragments of digital life to build layered narratives that extend the boundaries of traditional documentary practice. She earned an MFA in documentary media from Toronto Metropolitan University. Her work spans installation, print, and film; an earlier iteration of this project was screened at the Toronto Jewish Film Festival.Kendell Pinkney is a Brooklyn-based playwright, arts & culture advocate, educator and rabbi. His work has been commissioned, developed, and presented at venues across the US and Canada. In addition to his creative work, Kendell is the Director of Jewish Learning and Artist-in-Residence at the arts and culture organization Reboot. Additionally, he serves as the founding Artistic Director of The Workshop, one of Reboot's signature programs providing an arts and culture fellowship for emerging creatives of BIPOC-Jewish heritage. View Details

A Peoplehood | Amiut Yehudit

Marnie Salsky

Fall/Winter 2024

Book Details: HardcoverISBN-13: 978195411941396 pages; 55 Color Photographs10 x 10 inches$50 USForeword by Elin SpringMis[s]Understood explores the pivotal role of women in the Irish Traveller community, highlighting their importance as the cornerstone of family life. In this close-knit, culturally rich community, these women not only uphold traditions but also navigate the challenges of preserving their way of life in a radically changing world. Through their stories, Michele Zousmer aims to shed light on their strength, resilience, and beauty. Michele Zousmer amplifies the voices of individuals and communities often marginalized by society. Her photographic work expresses the essence of human existence and emotion, capturing moments that resonate with life's profound experiences – love, loss, vulnerability, strength and resilience.Elin Spring is Founder and Editor of What Will You Remember? as well as a contributing writer to many online and print magazines. Erin has also provided essays for various exhibition catalogs. View Details

Mis[s]Understood

Michele Zousmer

Fall/Winter 2024

Book Details: HardcoverISBN-13: 9781954119284144 pages; 80 Photographs11 x 12.5 inches$50 USFeatured in: Frames, Art Daily, and All About Photo.Winter gives a glimpse into the earliest traces of winter, the height of the snow season, and the melt-time within the western Great Basin region. Devoid of people and interiors, Winter provides seemingly calm and quiet photographs of the reality of winter on a modern day frontier. Bruce Haley is a recipient of the Robert Capa Gold Medal, and his work has been published and exhibited internationally for over thirty years. View Details

Winter

Bruce Haley

Fall/Winter 2024

Book Details: FlexiboundISBN-13: 9781954119383132 pages; 72 Photographs8 x 8 inches$40 USUnable to find imagery that was relatable and authentic about a young family navigating cancer, photographers Anna and Jordan Rathkopf turned the camera on each other and themselves after Anna's diagnosis at the age of 37 with an aggressive form of breast cancer. HER2 is an ongoing visual conversation told through the utterly unique dual perspective of the experience as a husband- and-wife team, showing both the ways in which there is a deep bond in shared survival while also highlighting their parallel, isolated traumas amidst layers of grief and joy.The Rathkopfs' project includes intimate photographs taken at home, in hospital settings, and with their son, providing a raw look at how a chronic serious diagnosis impacts every aspect of life - relationships, parenting, marriage, work and childhood. These images offer a fuller picture of the emotional and daily realities of illness, from the perspective of the diagnosed, the caregiver and the child, inviting viewers to witness and understand the complexity of survivorship, vulnerability, and resilience.Anna and Jordan Rathkopf, are an award-winning multicultural photography and video duo known for their focus on themes such as empathy, health, community, and identity. Their lenses often focus on the world of health, capturing the perspectives of both the diagnosed and caregivers, inspired by their own lived experiences. Their mission is to ignite real connections, inviting viewers to delve into universal themes portrayed with deep intimacy and unwavering authenticity. The Rathkopfs have been recognized for their work as cancer advocates, including recognition from the International Photographic Council at The United Nations for 2024 Photographic Achievement. View Details

HER2

Anna + Jordan Rathkopf

Spring/Summer 2012

BOOK INFO Paperback, 5.5 X 8 In. / 136 Pages ISBN 9780983231615 List Price: $14.95 Featured by The New Yorker Edited by Will Steacy Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris WebbFeatured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet View Details

Photographs Not Taken

Various Photographers

Back Catalog

Fall/Winter 2014

Sold Out

BOOK INFO Hardcover, 8 X 8 In. / 96 Pages / 94 Color ISBN 9780988983175List Price: $39.95 “The breathtaking power of nature is captured in “#Sandy: Seen Through the iPhones of Acclaimed Photographers...",- The New York Times, November 14, 2014“...a collection of stunning, harrowing, and humbling images…”, - The Week, October 28, 2014Edited by Wyatt Gallery Text by Sean Corcoran and Eddie Brannan #SANDY is a book of iPhone photos of Hurricane Sandy by acclaimed photographers, including: Benjamin Lowy • Stephen Wilkes • Ed Kashi/VII • Hank Willis Thomas • Richard Renaldi • Lyle Owerko • Wyatt Gallery • Michael Christopher Brown • Ruddy Roye • Craig Wetherby • 13th Witness • Sam Horine • Andrew Quilty • Giles Clarke • Erica Simone • Yosra El-Essawy • Duffy Higgins • Brent A. Bartley • Dylan Chandler • Nicole Sweet In October 2012, Hurricane Sandy devastated communities in the New York City, New Jersey, and Connecticut areas. In response, Foley Gallery and photographer Wyatt Gallery organized an exhibition of iPhone photographs of the storm by the photographers listed above. Hundreds of people attended the one-night event, and almost 400 photographs were purchased. Over a year later, many residents are still struggling to regain normal living conditions. Pre-purchase this groundbreaking book today and help us remind the public that many people are still in need of assistance. View Details

#SANDY

Various Photographers

Fall/Winter 2016

Sold Out

BOOK INFO Paper Over Board, 11 X 9 In. / 96 Pages / 45 ColorISBN 9781942084204 List Price: $45.00“...these fresh, layered and technically complex images examine the possibilities in the un-sensed and unimagined...”, - Artdaily, September 4, 2016“Kyne uses light and perspective to create a mysterious world that otherwise would go undiscovered.”, - Musee Magazine, November 8, 2016“...the photographs in A Crack in the World shift human vision into an extraordinary terrain, one where Kyne and her camera revel.”, - KQED Arts (NPR), November 16, 2016Photographs by Barbara Kyne Contributions by Susan Griffin A Crack In The World presents Barbara Kyne's photographs of the five acres which she and her partner share in Mariposa, California. Kyne photographs as a means understanding so-called reality, wondering what lies outside of the environment that she can detect with her own limited human biology. Ultimately, Kyne produces a photography of nature that does not rely on the nature genre, or even on the subject matter of nature for engagement or visual enjoyment, but instead examines the possibilities in the not-sensed and the imagined. A Crack In The World contains fresh and elegant, yet layered and technically complex photographs that inspire empathy for all beings, and the planet that sustains them. An accompanying essay by Susan Griffin examines the artistic and theoretical implications of this deceptively simple body of work.Barbara Kyne is an artist based in Oakland, California. Her work has been shown at SF Camerawork, Photo Center NW, the Trition Museum of Art, The Kala Institute, and the Bedford Gallery, and is featured in many contemporary photography books and publications. View Details

A Crack in the World

Barbara Kyne

Spring/Summer 2018

BOOK INFOPaper over Board, 11 X 10 In. / 148 Pages / 60 Color PhotographsISBN 9781942084488List Price: $45.00“Photographer Nish Nalbandian gives some of the hundreds of thousands of Syrian refugees a face, a body, a voice. He invites us to identify, to feel compassion.”, - F-Stop Magazine, May 23, 2018“What makes his work different is its focus not simply on Syrian refugees as victims but on the diversity of their experiences.”,- Royal Photographic Society, July 2018Also featured by: Artdaily L'Oeil de la Photographie Professional Photographer MagazinePhotographs by Nish Nalbandian Foreword by Greg Campbell Contributions by Javier Manzano, Carmen Gentile, and Karam Shoumali A Handful of Dust is an essential collection of reportage for those following the conflict in Syria and its impact on the rest of the world.A Handful of Dust gives a glimpse into the approximately 3 million Syrians who have fled war in their home country and are living in Turkey. Nish has been following this story for several years, chronicling the circumstances of many whose lives have been upended and forced to flee. Most registered refugees don't live in camps, they live in Turkish towns and cities, alongside their new Turkish neighbors. While many refugees are very poor, and most find themselves in a precarious position, there are also working class, middle class, and wealthy Syrians who have made this exodus.Nish Nalbandian has photographed in more than thirty-five countries worldwide in a variety of environments and continues to cover Syrian Refugee issues. Nalbandian's awards include First Prize for Conflict photography in the 2014 IPA, the Gold Medal for War Photography in the 2014 PX3, and many more. View Details

A Handful of Dust

Nish Nalbandian

Spring/Summer 2022

Book Details: Hardcover with Dust JacketISBN-13: 978-1-954119-11-692 pages; 45 Black & White Photographs11 x 9 inches$45 US“A Long & Echoing Light takes us on a deep and meditative journey, reframing the artist’s familiar interiors, routines and objects into softening abstraction, breaking their lines and finding solace in their presence during a long period of isolation during the pandemic.” - Michael FoleyFeatured in: LF Magazine.Over the course of the pandemic, Jon Plasse photographed familiar objects around his home. The resulting series, in turns subtle and startling, evokes the intensity, monotony and disorientation of life in isolation. Jon Plasse focuses his work on memorializing a special time, place or experience - often represented by personal loss, solitude, excitement or mystery.Chuck Kelton is a photographer who makes chemograms and photograms transforming light, chemistry and paper into abstract landscapes. He is also a master printer, for over 35 years handling the work of a wide variety of highly regarded photographers. View Details

A Long and Echoing Light: Notes from a Pandemic

Jon Plasse

Spring/Summer 2026

Book Details: HardcoverISBN-13: 9781954119529140 pages; 98 Photographs6.75 x 9.5 inches$50 US Afterword by Kendell Pinkney A Peoplehood | Amiut Yehudit is an intimate and layered exploration of contemporary Jewish identity. Through a conceptual documentary lens, Marnie Salsky weaves together present-day photographs, archival imagery, interview excerpts, and fragments from social media and print news. These elements serve as artifacts that mirror the various facets through which Jewish identity is witnessed, refracted, and archived. The result is a textured portrait of a community navigating belonging, diversity, and the lived experience of antisemitism.Marnie Salsky is a Toronto-based photographer and documentary media artist whose work explores contemporary Jewish identity, collective memory, and the lived experience of antisemitism. Through a conceptual documentary approach, she combines photographs, archival materials, interviews and fragments of digital life to build layered narratives that extend the boundaries of traditional documentary practice. She earned an MFA in documentary media from Toronto Metropolitan University. Her work spans installation, print, and film; an earlier iteration of this project was screened at the Toronto Jewish Film Festival.Kendell Pinkney is a Brooklyn-based playwright, arts & culture advocate, educator and rabbi. His work has been commissioned, developed, and presented at venues across the US and Canada. In addition to his creative work, Kendell is the Director of Jewish Learning and Artist-in-Residence at the arts and culture organization Reboot. Additionally, he serves as the founding Artistic Director of The Workshop, one of Reboot's signature programs providing an arts and culture fellowship for emerging creatives of BIPOC-Jewish heritage. View Details

A Peoplehood | Amiut Yehudit

Marnie Salsky

Spring/Summer 2024

Book Details: HardcoverISBN-13: 9781954119307150 pages; 100 Photographs7 x 9.5 inches$50 US A Poor Imitation of Death is a complex and collaborative narrative about youth in prison: meshing photographs with the youth’s handwritten letters, poems, and artwork to create a unique and authentic voice that speaks about the realities of life in prison. It tells a harsh story: full of despair, raw emotion and injustice but also of incredible resilience, inner strength and huge potential for change. It indicts an inhumane and broken California prison system that has changed little over two decades. Ara Oshagan is a diasporic transdisciplinary artist, curator and cultural worker whose practice explores collective and personal histories of marginalization, displacement, identity, legacies of violence and (un)imagined futures. A descendant of communities uprooted from their indigenous land by the Armenian Genocide, he was born in Lebanon and displaced by war as a youth to the US. Oshagan has published three books of photography and has exhibited his artwork and public art internationally. World renowned for “radical kinship” and “boundless compassion,” Father Gregory Boyle is the founder of Homeboy Industries, the largest gang re-entry program in the US and a national model. He is the author of three books, including the 2010 New York Times bestseller Tattoos on the Heart: The Power of Boundless Compassion. View Details

A Poor Imitation of Death

Ara Oshagan

View Full Catalog >>

Spring/Summer 2026

Book Details: HardcoverISBN-13: 9781954119567 Hardcover (two books in slipcase) Book 1: 168 pagesBook 2: 200 pages8in x 10inEssays by: Miss Rosen and Theodore ZinnFeatured in AnOther Magazine"The photography is stunning, the words...even more-so. It is such important work."-Adam TaubenfligeDuring the 2020 Covid-19 lockdown, Vincent Cianni revisited over one hundred rolls of film from NYC Pride marches photographed between 1985 and 1995. For three months, he spent 6 to 8 hours a day, 5 to 6 days a week in the darkroom, editing and printing more than 140 photographs, many of which had never been printed before. The images documented Pride marches that took place during the height of another health crisis, the AIDS epidemic, the insidious and devastating disease that ravaged the LGBTQ+ community. The parallels between the two health crises became clear as news reports on the pandemic unfolded, revealing the same failures of government repeating themselves yet again. The marches also affirmed that healthcare, including treatment for people with HIV/AIDS, is a right. They demanded an end to the stigma and criminalization of HIV, as well as a more effective response from medical and government agencies and officials who fail to provide funding for research on medical treatment or offer legal, housing, and medical services to people with limited access. This demonstration of solidarity strengthened the sense of community and helped protect the rights earned from the Stonewall Rebellion in 1969 and the first NYC Pride March, also known as the Christopher Street Liberation Day March, which took place on June 28, 1970, one year after the Stonewall Rebellion."Archive/Journal: 1985-1995/2001" is a two-volume title in a slipcase bringing together two related bodies of work: Volume 1, "Archive 1985-1995," reproduces approximately 80 black-and-white photographs made of the NYC Pride marches during the height of the AIDS epidemic from 1985 to 1995. The photographs are accompanied by timelines, ephemera, newspaper articles, etc., and essays by Miss Rosen and Theodore Zinn, to expand the political, social, and historical understanding of the culture, activism, and milieu of the LGBTQ+ community. Volume 2: "Journal: 1985-2001" focuses on personal narratives culled from Cianni's journals, and visual stories of lovers and friends who were living with or who died from AIDS, reflecting on his journey with HIV and his experience with activism surrounding HIV/AIDS from the same period as the Pride photographs.Vincent Cianni is a documentary photographer, educator, and activist who explores social justice through image, text, and audio. He was Adjunct Associate Professor at the Parsons School of Design for 30 years and the founder and director of the Newburgh Community Photo Project, a grassroots community photo workshop in Newburgh, NY. We Skate Hardcore was published by NYU Press and the Center for Documentary Studies in 2004, and a major survey was exhibited at the Museum of the City of New York in 2006. Gays in the Military (GITM) was published by Daylight Books in May 2014 and was featured in the New York Times Sunday Review and The Katie Couric Show.Miss Rosen is a New York-based writer focusing on art, photography, and cultural history. Her work has been published in books by Janette Beckman, Joe Conzo, Martha Cooper, and Arlene Gottfried, as well as publications including The New Yorker, The Village Voice, i-D, Dazed, and AnOther.Theo Zinn (they/them) is a graduate of Drexel University (2025), with degrees in art history and photography. Their research focuses on contemporary art and the history of queer photography. As a photographer, Theo primarily shoots live concerts and theater performances, as well as BTS for film sets. View Details

Archive / Journal: 1985 - 1995/2001

Vincent Cianni

Spring/Summer 2026

Book Details: HardcoverISBN-13: 9781954119529140 pages; 98 Photographs6.75 x 9.5 inches$50 US Afterword by Kendell Pinkney A Peoplehood | Amiut Yehudit is an intimate and layered exploration of contemporary Jewish identity. Through a conceptual documentary lens, Marnie Salsky weaves together present-day photographs, archival imagery, interview excerpts, and fragments from social media and print news. These elements serve as artifacts that mirror the various facets through which Jewish identity is witnessed, refracted, and archived. The result is a textured portrait of a community navigating belonging, diversity, and the lived experience of antisemitism.Marnie Salsky is a Toronto-based photographer and documentary media artist whose work explores contemporary Jewish identity, collective memory, and the lived experience of antisemitism. Through a conceptual documentary approach, she combines photographs, archival materials, interviews and fragments of digital life to build layered narratives that extend the boundaries of traditional documentary practice. She earned an MFA in documentary media from Toronto Metropolitan University. Her work spans installation, print, and film; an earlier iteration of this project was screened at the Toronto Jewish Film Festival.Kendell Pinkney is a Brooklyn-based playwright, arts & culture advocate, educator and rabbi. His work has been commissioned, developed, and presented at venues across the US and Canada. In addition to his creative work, Kendell is the Director of Jewish Learning and Artist-in-Residence at the arts and culture organization Reboot. Additionally, he serves as the founding Artistic Director of The Workshop, one of Reboot's signature programs providing an arts and culture fellowship for emerging creatives of BIPOC-Jewish heritage. View Details

A Peoplehood | Amiut Yehudit

Marnie Salsky

Fall/Winter 2024

Book Details: HardcoverISBN-13: 978195411941396 pages; 55 Color Photographs10 x 10 inches$50 USForeword by Elin SpringMis[s]Understood explores the pivotal role of women in the Irish Traveller community, highlighting their importance as the cornerstone of family life. In this close-knit, culturally rich community, these women not only uphold traditions but also navigate the challenges of preserving their way of life in a radically changing world. Through their stories, Michele Zousmer aims to shed light on their strength, resilience, and beauty. Michele Zousmer amplifies the voices of individuals and communities often marginalized by society. Her photographic work expresses the essence of human existence and emotion, capturing moments that resonate with life's profound experiences – love, loss, vulnerability, strength and resilience.Elin Spring is Founder and Editor of What Will You Remember? as well as a contributing writer to many online and print magazines. Erin has also provided essays for various exhibition catalogs. View Details

Mis[s]Understood

Michele Zousmer

Fall/Winter 2024

Book Details: HardcoverISBN-13: 9781954119284144 pages; 80 Photographs11 x 12.5 inches$50 USFeatured in: Frames, Art Daily, and All About Photo.Winter gives a glimpse into the earliest traces of winter, the height of the snow season, and the melt-time within the western Great Basin region. Devoid of people and interiors, Winter provides seemingly calm and quiet photographs of the reality of winter on a modern day frontier. Bruce Haley is a recipient of the Robert Capa Gold Medal, and his work has been published and exhibited internationally for over thirty years. View Details

Winter

Bruce Haley

Fall/Winter 2024

Book Details: FlexiboundISBN-13: 9781954119383132 pages; 72 Photographs8 x 8 inches$40 USUnable to find imagery that was relatable and authentic about a young family navigating cancer, photographers Anna and Jordan Rathkopf turned the camera on each other and themselves after Anna's diagnosis at the age of 37 with an aggressive form of breast cancer. HER2 is an ongoing visual conversation told through the utterly unique dual perspective of the experience as a husband- and-wife team, showing both the ways in which there is a deep bond in shared survival while also highlighting their parallel, isolated traumas amidst layers of grief and joy.The Rathkopfs' project includes intimate photographs taken at home, in hospital settings, and with their son, providing a raw look at how a chronic serious diagnosis impacts every aspect of life - relationships, parenting, marriage, work and childhood. These images offer a fuller picture of the emotional and daily realities of illness, from the perspective of the diagnosed, the caregiver and the child, inviting viewers to witness and understand the complexity of survivorship, vulnerability, and resilience.Anna and Jordan Rathkopf, are an award-winning multicultural photography and video duo known for their focus on themes such as empathy, health, community, and identity. Their lenses often focus on the world of health, capturing the perspectives of both the diagnosed and caregivers, inspired by their own lived experiences. Their mission is to ignite real connections, inviting viewers to delve into universal themes portrayed with deep intimacy and unwavering authenticity. The Rathkopfs have been recognized for their work as cancer advocates, including recognition from the International Photographic Council at The United Nations for 2024 Photographic Achievement. View Details

HER2

Anna + Jordan Rathkopf

Spring/Summer 2012

BOOK INFO Paperback, 5.5 X 8 In. / 136 Pages ISBN 9780983231615 List Price: $14.95 Featured by The New Yorker Edited by Will Steacy Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris WebbFeatured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet View Details

Photographs Not Taken

Various Photographers