New Releases from Daylight

Book Details: HardcoverISBN-13: 9781954119444112 pages; 45 Photographs7 x 10 inches$50 US*Books will ship June 2025Family Amnesia is a visual tribute and love letter honoring the artist's Chinese American family roots in the U.S. The art book explores her family's multi-generational resilience and resistance through mixed media collages, my grandfather’s photographs, my own captured images and archival material.The book project honors the past and current lives of Asian Americans and immigrants in the U.S. by examining the incalculable and traumatic impact that historical events like the 1882 Chinese Exclusion Act continue to have on the Asian American experience. This is a painful part of our American history. Betty Yu is reclaiming that narrative through her own personal family’s story. The book will feature her grandfather’s role as a founding member of the Chinese Hand Laundry Alliance of NY, her mother’s plight as a garment worker who became a labor organizer, as well as her sister’s legacy as a community activist. Yu knows that her family's story is not unique. It is part of the larger collective Asian-American immigration experience.This book project reminds us that the rise of COVID-related anti-Asian violence is part of a larger history of systemic racism. As the U.S. government and corporate-run media continue to vilify China as a global threat, Family Amnesia recalls the anti-China and anti-Asian paranoia and hysteria that created the policies like the 1882 Chinese Exclusion Act and the 1942 Executive Order that placed Japanese-Americans into internment camps. The book will also draw visually on geo-political history, recalling narratives that mocked China as the "sick man of Asia '' and that demonized Chinese as “Yellow Peril”. Betty Yu is an award-winning filmmaker, socially engaged multimedia artist, photographer and activist born and raised in NYC. Yu integrates documentary film, installation, new media platforms, and community-infused approaches into her practice. Betty’s films and multimedia work has focused on labor, immigration, gentrification, abolition, racism, militarism, transgender equality among other issues.   View Details
Book Details: HardcoverISBN-13: 9781954119376112 pages; 50 Photographs8 x 12 inches$50 US*Books will ship June 2025Mythoscape explores themes of transformation and self-discovery, where the journey through nature mirrors an inward journey through the psyche. It invites viewers to reconnect with the mythic dimension of nature, seeing it not merely as a backdrop but as an active participant in the human story—a space of encounter, danger, and transformation, where every element holds the potential for magic and deeper understanding.Azita Gandjei explores the symbolic relationship between humanity and the primal forces of nature, drawing on the archetypes found in myths and fairytales. She invites viewers on their own journey of self-discovery and transformation. Using visual language  informed by shadows, reflections, and surreal compositions, her work is a means to bridge the false dichotomy between us and nature. We are one.  Gandjei is represented by Gallery House in Menlo Park, where she is one of the permanent artists, and by Ilkaa’s Gallery & Atelier in Columbus, Ohio. In 2023, her work was selected in the de Young Museum Open, and she has been part of numerous group shows, including at the San Francisco Women Artist Gallery, Center for Photographic Arts and the Twin Pines Gallery. Carol Henry is a fine art photographer, curator and creative project consultant. Based in Kentucky, her photographic work has been exhibited in over 25 galleries and more than 150 exhibitions. Her extensive experience includes being a fine art print specialist for Ansel Adams' archives, and serving as the gallery director at Post Ranch Inn in Big Sur, California. Henry curated, 100 Years of Female Photographers Views of the Male Subject exhibited at The Center for Photographic Art in Carmel, CA, and at the Florida Museum of Photography. As founder of FotoSagá, a women's photography mentor program, and as a charter member of Women in Photography International, she amplifies photography’s ability to build community.  View Details
Book Details: HardcoverISBN-13: 9781954119369284 pages; 238 Photographs10.5 x 11.25 inches$60 US*Books will ship June 2025Covering more than a half century of dramatic social and political change, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the complex world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s just one year after the Summer of Love (1967), when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nation reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist––a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself.Susan Ressler Photographs: 50 Years, No End In Sight is an impressive retrospective that traces over fifty years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo on Ressler’s California work, and the other an afterword by Mark Rice. Although some of the images appear in Ressler’s previous Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include “At Owner’s Risk” (her Canadian First Nation photographs), “From Analog to Digital” (an account of photography’s transition from analog film to digital media), and “Beyond Borders” (work from Europe, Asia, and Israel). The book ends with “American Stories,” including South America and the export of US culture abroad, before Ressler comes home to Taos, New Mexico, where she lives and continues to make photographs today.Susan Ressler is a renowned artist, author, and educator who has been making social documentary photographs for more than fifty years. Her work is in the Smithsonian American Art Museum, the Library and Archives Canada, the Los Angeles County Museum of Art (LACMA), and many other important collections. A recipient of two National Endowment for the Arts (NEA) fellowships, Ressler is internationally exhibited and published. She has published two previous monographs with Daylight Books: Executive Order (2018) and Dreaming California (2023).Eve Schillo is Associate Curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA). She has curated many notable and diverse exhibitions featured in LACMA's galleries dedicated to American, Latin American, Southeast Asian, Japanese, modern, and contemporary art, as well as those devoted to photography.Mark Rice is an award-winning author and professor of American Studies at St. John Fisher University near Rochester, New York. He has published several books and contributed essays on photography and visual culture to numerous scholarly journals. Rice contributed the afterword to Susan Ressler’s two previous Daylight monographs, Executive Order (2018) and Dreaming California (2023).  View Details

BOOK INFO Paperback, 5.5 X 8 In. / 136 Pages ISBN 9780983231615 List Price: $14.95 Featured by The New Yorker Edited by Will Steacy Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris WebbFeatured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet  View Details
Book Details: FlexiboundISBN-13: 9781954119154128 pages; 74 Color Photographs8 x 8 inches$45 USFeatured by:  “Smart Shot” - Saturday Guardian in print, The Guardian Online, Eye of Photography, Huck magazine, LensCulture, Exibart Street, and Ink.  New York City subways – the century-old transit system has survived two World Wars, the Great Depression, and Hurricane Sandy. It and the millions of citizens that rely on it as their daily lifeline will also survive the COVID-19 pandemic. Subwaygram captures mobile phone street portraits of the diverse community of riders two years before and two years after the first case was confirmed in New York City and the commonalities in the fleeting moments of their journeys.Chris Maliwat has been photographing the subway for many years and sharing the images on his Subwaygram Instagram feed. Daylight is pleased to offer this selection of favorites collected in the artist's first monograph. Chris Maliwat is a street-portrait photographer who captures surreptitious moments of everyday people on their journeys in the cities where they live. Aaron L. Morrison is a New York City-based journalist whose work on race, criminal justice and grassroots social movements has been published by The Associated Press, the global nonprofit news wire. "Chris Maliwat describes the New York subway as the first slot in a pinball machine. “Whenever I head down there, I know it’s going to be a mini adventure, like I’m about to be launched into the world,” he says. “I saw this woman waiting at Metropolitan Avenue/Grand Street station and wondered which world she was about to shoot out into. Are there people like her where she’s going? Is she headed to her tribe? I think so. Everyone finds their tribe in New York – that’s why people come here.”"-The Guardian, December 3, 2022. "I was (and continue to be) intrigued by the breadth of this project, and the empathetic lens through which he recorded his subjects. "-Lenscratch, November 18, 2022 View Details
Book Details: Hardcover ISBN-13: 9781954119222 112 pages; 50 Photographs 7  x 9 inches $50 USForeword by Elinor CarucciGirlhood: Lost and Found explores the experience females face growing up and growing old in a world full of preconceived notions of what it means to be a woman. Lost objects coupled with intimate portraits of the artist and her daughter mirror one another, examining the desires women abandon to conform to unrealistic ideals in our culture, often losing sight of their identities as they maneuver society’s stereotypes. The discarded items offer the opportunity to reflect on what unreasonable expectations both the artist and the female collective can also leave behind, providing a chance to rediscover who they were before they learned how they were seen by the world. The book's forward is written by Elinor Carucci, a multi-award winning fine art photographer with work featured in many solo and group exhibitions and museums worldwide, as well as an impressive number of publications internationally.A group essay included in this publication shares thoughts from a variety of women ranging in age from 13-81 years old, including artist and filmmaker Laurie Simmons, renowned actor and musician Jill Hennesy, 2018 Guggenheim Fellow and educator Rania Matar, founder of wellness platform MWH Melissa Wood-Tepperberg, the artist’s daughter and son, Luna and Sergio Riva, and many more. Jamie Schofield Riva is a documentary and fine art photographer based out of New York City. Elinor Carucci is a Fine Art Photographer with work included in many solo and group exhibitions worldwide as well as publications internationally. Her work is in the collections of MoMA, The Jewish Museum, the Brooklyn Museum and many others. She was awarded the ICP Infinity Award, The Guggenheim Fellowship and NYFA in 2010, and published four monographs todate. Carucci teaches at the graduate programs of photography at School of Visual Arts and is represented by Edwynn Houk Gallery.   View Details

BOOK INFO Paper Over Board, 11 X 9 In. / 96 Pages  / 45 ColorISBN 9781942084204 List Price: $45.00“...these fresh, layered and technically complex images examine the possibilities in the un-sensed and unimagined...”, - Artdaily, September 4, 2016“Kyne uses light and perspective to create a mysterious world that otherwise would go undiscovered.”, - Musee Magazine, November 8, 2016“...the photographs in A Crack in the World shift human vision into an extraordinary terrain, one where Kyne and her camera revel.”, - KQED Arts (NPR), November 16, 2016Photographs by Barbara Kyne Contributions by Susan Griffin A Crack In The World presents Barbara Kyne's photographs of the five acres which she and her partner share in Mariposa, California. Kyne photographs as a means understanding so-called reality, wondering what lies outside of the environment that she can detect with her own limited human biology. Ultimately, Kyne produces a photography of nature that does not rely on the nature genre, or even on the subject matter of nature for engagement or visual enjoyment, but instead examines the possibilities in the not-sensed and the imagined. A Crack In The World contains fresh and elegant, yet layered and technically complex photographs that inspire empathy for all beings, and the planet that sustains them. An accompanying essay by Susan Griffin examines the artistic and theoretical implications of this deceptively simple body of work.Barbara Kyne is an artist based in Oakland, California. Her work has been shown at SF Camerawork, Photo Center NW, the Trition Museum of Art, The Kala Institute, and the Bedford Gallery, and is featured in many contemporary photography books and publications. View Details
BOOK INFOPaper over Board, 11 X 10 In. / 148 Pages / 60 Color PhotographsISBN 9781942084488List Price: $45.00“Photographer Nish Nalbandian gives some of the hundreds of thousands of Syrian refugees a face, a body, a voice. He invites us to identify, to feel compassion.”, - F-Stop Magazine, May 23, 2018“What makes his work different is its focus not simply on Syrian refugees as victims but on the diversity of their experiences.”,- Royal Photographic Society, July 2018Also featured by: Artdaily L'Oeil de la Photographie Professional Photographer MagazinePhotographs by Nish Nalbandian Foreword by Greg Campbell Contributions by Javier Manzano, Carmen Gentile, and Karam Shoumali A Handful of Dust is an essential collection of reportage for those following the conflict in Syria and its impact on the rest of the world.A Handful of Dust gives a glimpse into the approximately 3 million Syrians who have fled war in their home country and are living in Turkey. Nish has been following this story for several years, chronicling the circumstances of many whose lives have been upended and forced to flee. Most registered refugees don't live in camps, they live in Turkish towns and cities, alongside their new Turkish neighbors. While many refugees are very poor, and most find themselves in a precarious position, there are also working class, middle class, and wealthy Syrians who have made this exodus.Nish Nalbandian has photographed in more than thirty-five countries worldwide in a variety of environments and continues to cover Syrian Refugee issues. Nalbandian's awards include First Prize for Conflict photography in the 2014 IPA, the Gold Medal for War Photography in the 2014 PX3, and many more. View Details

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