Backlist Highlights – Daylight Books

BOOK INFO Paperback, 5.5 X 8 In. / 136 Pages ISBN 9780983231615 List Price: $14.95 Featured by The New Yorker Edited by Will Steacy Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris WebbFeatured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet View Details

Photographs Not Taken

Various Photographers

BOOK INFOPaper over Board, 7 x 9 in | 128 pages / 50 ColorISBN 9781954119017List Price: $45.00Hanford Reach is a look at lives and landscapes in the long shadow of the atomic/ nuclear era. Located in Washington State, Hanford Nuclear Reservation produced plutonium for four decades, initially for the Trinity Test and the atomic bomb in the Second World War. Glenna Cole Allee is an interdisciplinary artist exploring the shifting relationships between place, myth and memory. Mark Auslander is an historical anthropologist who has directed museums of science and culture. View Details

Hanford Reach: In the Atomic Field

Glenna Cole Allee

Book Details: Paper over boardISBN-13: 9781942084921128 pages; 75 Black and white Photographs10 x 8 inches$45 US; $58.99 CAN "There is a warmth and humanity to everyone documented within the pages of this beautiful world printed in stunning black and white." - Analog Forever Magazine, January 17, 2021"Kicking Sawdust: Running Away with the Circus and Carnival, doesn't glamorize, it humanizes. While not the everyday experience for most, the collection of images normalizes the day to day existence of life on the road." - Art Daily"When daily life is shared-with anyone, in any context—this intimate kind of knowing facilitates the forming of a kind of family. Perhaps existing in just that one dimension, perhaps for only that specific time and space in one's life; but seeing people first thing in the morning, trading chores, witnessing the range of emotions humans navigate in daily life, familiarizes and connects."- All-About-PhotoAlso featured in:The Guardian, Newsbreak.com, and Photobook Journal.Photographs by Clayton AndersonForeword by Jack PiersonContributions by Katharine Kavanagh Kicking Sawdust is a series of photos taken from 1988-1992 while on the road with the circus, carnival, and various sideshows. It is a personal documentation of friends and people that photographer Clayton Anderson encountered in his daily life during that time. Clayton Anderson is a photographer and advertising art director who lives and works in New York City. In 1988 Clayton went out on the road to work in the circus, carnival and fair circuit with the family’s traveling cinnamon roll food concession. He brought along a camera and photographed his experiences there. This year his circus work was shown at the Florida Museum of Photographic Arts (FMoPA) in Tampa, FL. and the SE Center for Photography in Greenville, SC. Some of his newer work will be shown at Praxis Gallery in Minneapolis, MN. Clayton worked for and was mentored by some noted photographers that include Jack Pierson, David Seidner, Josef Astor and Philip-Lorca diCorcia. Kicking Sawdust, published by Daylight Books, is his first monograph.Jack Pierson is an internationally exhibiting artist who has had recent solo exhibitions at the CAC Malaga, the Irish Museum of Modern Art, Dublin and the Aspen Art Museum.Katharine Kavanagh has been writing about circus since 2013 when she launched The Circus Diaries—a multi-platform hub for critical discourse centered on the circus arts. View Details

Kicking Sawdust: Running Away with the Circus and Carnival

Clayton Anderson

Book Details: Paper over boardISBN-13: 9781942084747148 pages; 70 Black and White and Color Photographs12 x 10 inches$45 US; $65.50 CAN Photographs by Mark ParascandolaEssay by Michael Berry China, poised to become the world's largest film market, is home to an expansive state-supported movie and television industry. On an unparalleled scale, entire towns have been built around making movies. Given film censorship codes in China, period films provide a safe and familiar format to tell stories based around “official” narratives. The movie sets, rivaling real-world cities and monuments in their scale, have themselves become destinations for domestic and international tourists. Despite the fiction, they bear witness to a dynamic and changing China. Mark Parascandola is an award winning photographer based in DC. His book Once Upon a Time in Almería was published by Daylight in 2017Michael Berry is a professor in the department of Asian languages and culture at UCLA View Details

Once Upon a Time in Shanghai

Mark Parascandola

Book Details: FlexiboundISBN-13: 9781954119154128 pages; 74 Color Photographs8 x 8 inches$45 USFeatured by: “Smart Shot” - Saturday Guardian in print, The Guardian Online, Eye of Photography, Huck magazine, LensCulture, Exibart Street, and Ink. New York City subways – the century-old transit system has survived two World Wars, the Great Depression, and Hurricane Sandy. It and the millions of citizens that rely on it as their daily lifeline will also survive the COVID-19 pandemic. Subwaygram captures mobile phone street portraits of the diverse community of riders two years before and two years after the first case was confirmed in New York City and the commonalities in the fleeting moments of their journeys.Chris Maliwat has been photographing the subway for many years and sharing the images on his Subwaygram Instagram feed. Daylight is pleased to offer this selection of favorites collected in the artist's first monograph. Chris Maliwat is a street-portrait photographer who captures surreptitious moments of everyday people on their journeys in the cities where they live. Aaron L. Morrison is a New York City-based journalist whose work on race, criminal justice and grassroots social movements has been published by The Associated Press, the global nonprofit news wire. "Chris Maliwat describes the New York subway as the first slot in a pinball machine. “Whenever I head down there, I know it’s going to be a mini adventure, like I’m about to be launched into the world,” he says. “I saw this woman waiting at Metropolitan Avenue/Grand Street station and wondered which world she was about to shoot out into. Are there people like her where she’s going? Is she headed to her tribe? I think so. Everyone finds their tribe in New York – that’s why people come here.”"-The Guardian, December 3, 2022. "I was (and continue to be) intrigued by the breadth of this project, and the empathetic lens through which he recorded his subjects. "-Lenscratch, November 18, 2022 View Details

Subwaygram

Chris Maliwat

BOOK INFO Paper over Board, 9 x 10 in / 96 pages / 50 Color ImagesISBN 9781954119031List Price: $45.00Featured in: The Library of Congress, Financial Times (Print), Veteran’s Today, Polka, Art DailyViewing Distance compiles and transforms rarely seen images of declassified material from US government archives to examine photography’s role as an instrument of the military-industrial complex.Evan Hume is an artist based in South Bend, Indiana where he is the Visiting Lecturer of Photography at the University of Notre Dame. Lily Brewer holds a PhD in History of Art and Architecture from the University of Pittsburgh. View Details

Viewing Distance: Remixing the Archives of the Military-Industrial Complex

Evan Hume