Silent Snow: Hokkaido

Elizabeth Sanjuan

The Green Heart of Italy

Frank Van Riper and Judith Goodman

We Keep Swimming, Until We All Reach Home

Jillian Guyette

Critical Collection

Evan Hume

Recover & Release

Donna Wesley Spencer

The Shankill

Julie McCarthy

Backlist Highlights

Book Details: FlexiboundISBN-13: 9781954119383132 pages; 72 Photographs8 x 8 inches$40 USUnable to find imagery that was relatable and authentic about a young family navigating cancer, photographers Anna and Jordan Rathkopf turned the camera on each other and themselves after Anna's diagnosis at the age of 37 with an aggressive form of breast cancer. HER2 is an ongoing visual conversation told through the utterly unique dual perspective of the experience as a husband- and-wife team, showing both the ways in which there is a deep bond in shared survival while also highlighting their parallel, isolated traumas amidst layers of grief and joy.The Rathkopfs' project includes intimate photographs taken at home, in hospital settings, and with their son, providing a raw look at how a chronic serious diagnosis impacts every aspect of life - relationships, parenting, marriage, work and childhood. These images offer a fuller picture of the emotional and daily realities of illness, from the perspective of the diagnosed, the caregiver and the child, inviting viewers to witness and understand the complexity of survivorship, vulnerability, and resilience.Anna and Jordan Rathkopf, are an award-winning multicultural photography and video duo known for their focus on themes such as empathy, health, community, and identity. Their lenses often focus on the world of health, capturing the perspectives of both the diagnosed and caregivers, inspired by their own lived experiences. Their mission is to ignite real connections, inviting viewers to delve into universal themes portrayed with deep intimacy and unwavering authenticity. The Rathkopfs have been recognized for their work as cancer advocates, including recognition from the International Photographic Council at The United Nations for 2024 Photographic Achievement.  View Details
BOOK INFO Paperback, 5.5 X 8 In. / 136 Pages ISBN 9780983231615 List Price: $14.95 Featured by The New Yorker Edited by Will Steacy Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris WebbFeatured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet  View Details
Book Details: HardcoverISBN-13: 9781954119444112 pages; 45 Photographs7 x 10 inches$50 USFamily Amnesia is a visual tribute and love letter honoring the artist's Chinese American family roots in the U.S. The art book explores her family's multi-generational resilience and resistance through mixed media collages, her grandfather’s photographs, her own captured images and archival material.The book project honors the past and current lives of Asian Americans and immigrants in the U.S. by examining the incalculable and traumatic impact that historical events like the 1882 Chinese Exclusion Act continue to have on the Asian American experience. This is a painful part of our American history. Betty Yu is reclaiming that narrative through her own personal family’s story. The book will feature her grandfather’s role as a founding member of the Chinese Hand Laundry Alliance of NY, her mother’s plight as a garment worker who became a labor organizer, as well as her sister’s legacy as a community activist. Yu knows that her family's story is not unique. It is part of the larger collective Asian-American immigration experience.This book project reminds us that the rise of COVID-related anti-Asian violence is part of a larger history of systemic racism. As the U.S. government and corporate-run media continue to vilify China as a global threat, Family Amnesia recalls the anti-China and anti-Asian paranoia and hysteria that created the policies like the 1882 Chinese Exclusion Act and the 1942 Executive Order that placed Japanese-Americans into internment camps. The book will also draw visually on geo-political history, recalling narratives that mocked China as the "sick man of Asia '' and that demonized Chinese as “Yellow Peril”. Betty Yu is an award-winning filmmaker, socially engaged multimedia artist, photographer and activist born and raised in NYC. Yu integrates documentary film, installation, new media platforms, and community-infused approaches into her practice. Betty’s films and multimedia work has focused on labor, immigration, gentrification, abolition, racism, militarism, transgender equality among other issues.   View Details
Book Details: HardcoverISBN-13: 9781954119451180 pages; 79 Photographs12.6 x 10.5 inches$50 USEssay by Christina BartonThe Afterglow of Industry brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present. Following this, several years were spent researching and writing on each of the 79 photographs featured in this book. In these texts, colonial and industrial histories weave in and out of geology, pre- European Māori history, outside forces from the United States and Europe, and contemporary issues like privatisation, asset sales, the New Zealand housing crisis, and the country’s rebranding as a ‘clean & green’ tourist destination.Similar to the collapse of America’s industrial Midwest, New Zealand has also experienced the whiplash of industry vanishing. Here though, this has been complicated by much of this industry first emerging in conjunction with European colonization. Corson-Scott’s work focuses on these tensions, particularly in Te Waipounamu South Island, where the regions of the West Coast and Otago see industrial remnants contrasted with vast and complex landscapes. From these areas come images of freezing works on sacred rivers, contested mining projects, dwellings of 19 th century Chinese miners, gold processing plants still contaminated more than a century later, floods of acid mine drainage, and the demolition of factories which once built the country’s modern infrastructure. Elsewhere, on a remote sandspit is one of history’s largest whale strandings, industrial spaces are repurposed by artists, controversial hydroelectric schemes divert rivers, ancient forest remnants become tourism, and city fringe orchards are bulldozed for development.Chris Corson-Scott is an artist from Tāmaki Makaurau Auckland, Aotearoa New Zealand. His photography has been exhibited in over 40 museum and private gallery exhibitions in Aotearoa, and his work is held in permanent collections including: Museum of New Zealand Te Papa Tongarewa, Auckland Art Gallery Toi o Tāmaki, Christchurch Art Gallery Te Puna o Waiwhetū, and Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection. His previous publications include Evanescent Monuments (2018), and Dreaming in the Anthropocene (2017), both on Compound Press.Christina Barton is a writer, curator, editor and educator based in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand. She is the former director of Te Pātaka Toi Adam Art Gallery at Victoria University, Wellington, and was previously a curator at Auckland Art Gallery Toi o Tāmaki, and Museum of New Zealand Te Papa Tongarewa.  View Details

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BOOK INFOPaper over Board, 10 X 10 In. / 112 Pages / 50 ColorISBN 9781942084198List Price: $45.00"Carroll’s elaborate mise-en-scènes explore the mysteries and complexities of femininity and domestic life.", - American Photo Magazine, February 10, 2017"Despite the seriousness of the subject, the photos are attractive and whimsical, and take a lighthearted approach to the macabre.", - The New York Times Lens Blog, March 30, 2017"...startling images in which a woman is replaced by the material world...", - Photo District News, January 18, 2017Photographs by Patty CarrollAnonymous Women is a series of photographs with models using household objects and drapery to comment on women and domesticity. For over twenty years, Patty Carroll has staged photographs using models, drapery, and household objects to add to the dialogue surrounding femininity and the domestic sphere. Anonymous Women presents images that symbolize the psychological states of women around the world by showing them hidden behind, and intertwined with, visually stunning domestic scenes. These not-so-still-lives are colorful, beautiful, mysterious, and humorous, articulating the many complex relationships—both personal and cultural—that exist between women and the home.Patty Carroll is a photographer and educator who has previously published four books. This body of work has been featured in over thirty online blogs, magazines, and news sources. Carroll was a Photolucida Top 50 in 2014, and has received numerous awards for this project View Details
BOOK INFO Hardcover, 11 X 13 In. / 144 Pages / 28 Color / 63 Duotone ISBN 9781942084020 List Price: $50.00 Struggle, grief, and yet the dream of normalcy — these are just some in a complex mix of emotions pictured in a new book by Afghan-born photographer Zalmaï.”, - Time Lightbox, June 29, 2015“Zalmaï returns to his homeland and brings a sympathetic eye to the survivors of battle crossfire and of impoverished conditions…”, - American Photo Magazine, Best Photobooks of the Year, December 11, 2015Photographs by Zalmaï Afghan-born photographer Zalmaï was forced to flee to Switzerland at the age of 15 after the 1980 Soviet invasion of Afghanistan. As a freelance photographer, Zalmaï has spent years capturing the human cost of war around the world and in his home country, Afghanistan, where he also sees signs of hope. Dread and Dreams brings together photographs Zalmaï made between 2008 and 2013 against the backdrop of the 14-year U.S.-led invasion of Afghanistan that culminated in 2014 with the withdrawal of American troops.The book presents two contrasting bodies of work: Zalmaï’s epic duotone photographs reveal the stark reality of life in Afghanistan for the millions of Afghan refugees who have returned to their country since 2002, only to find they cannot go back to their homes. Instead, they are forced to live in squalid conditions in makeshift refugee camps and urban slums, where most live on the brink of survival and many take refuge in drugs. In counterpoint to this, Zalmaï then presents a second series of sun-tinged color photographs that reflect the hopes and dreams of the Afghan people. Here, Zalmaï takes us away from the monumental humanitarian crisis wrought by war to reveal signs of the positive life force that permeates his country.Empathetic, indignant, and still hopeful, Zalmaï’s photographs draw attention to Afghanistan’s ongoing struggle, which has largely left the headlines, by focusing on the Afghan people and their lived experience of war, insecurity, chronic governmental mismanagement, corruption on a huge scale and international negligence.  View Details
BOOK INFO Hardcover, 9 X 8 In. / 116 Pages / 50 Color ISBN 9780983231677 List Price: $39.95 “These images reflect longing, and gratitude, amid glimpses of beauty.”, - American Photo Magazine, Best Photobooks of the Year, November 2013"...an introspective collection of images shot over the last eight years through a period of personal crisis.", - Photo District News, April 2013"Jacobson’s photos convey the sensation of opening your eyes for the first, and perhaps the last, time.", - Publishers Weekly, April 1, 2013Also featured by:The New York Times Lens BlogThe GuardianCNNPhoto BlogPhotographs by Jeff Jacobson Photographing with only Kodachrome, photographer Jeff Jacobson has created a seductive portfolio of images reflecting on beauty and mortality. From his opening statement: “A few days before Christmas, 2004, I was diagnosed with lymphoma. Some present. After each chemotherapy session I retreated to our home in the Catskills to recuperate. I began photographing around the house as I was too sick to go anywhere else. As my strength returned, my photographic universe slowly expanded. Shortly thereafter, Kodak discontinued production of Kodachrome. I loved Kodachrome, it helped shape my photographic vision. I filled my refrigerator and wine cooler with the stuff and kept shooting. I have outlived my film. A few days before Christmas, 2010, I exposed my last roll.” This compelling body of photographs provides a nuanced, first-person depiction of a cancer patient’s changing perspectives on life, death, art and the world at large.Featured in Mother Jones, The Guardian, Publishers Weekly, Photo District News, CNN Photo Blog, and Slate.com. View Details

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BOOK INFO Cloth, 11 X 9 In. / 108 Pages / 36 Color ISBN 9780983231608 List Price: $29.95 Photographs by Alejandro Cartagena Introduction by Karen Irvine Contributions by Lisa Uddin Alejandro Cartagena photographs the particularities of the suburbs of Monterrey, Mexico, which are relatively new and often hastily built, reflecting a general disregard for planning. Over the years, various governmental policies have resulted in new, decentralized cities with limited infrastructures, where the pursuit of immediate financial gain trumps any interest in sustainability. Cartagena captures both the destruction that rapid urbanization has imposed on the landscape and the phenomenon of densely packed housing. Pictures of dried-up riverbeds attest to the water misallocation and depletion brought about by the construction, and Cartagena depicts perpetual rows of tiny houses slicing directly into the foothills of the picturesque mountains that surround Monterrey. Only the landscape appears capable of limiting their proliferation: the mountains and rivers seem the only forces able of containing the suburban sprawl. Ultimately, Cartagena documents the chaos and destruction that result from scant or misguided urban planning. He lives in downtown Monterrey, and he cares deeply about its land, its people, and its future. Understanding that overdevelopment is not just a local problem, he works hard as an artist to share his photographs as one clear plea for responsible, sustainable development in a rapidly changing world. Text adapted from the Introduction by Karen Irvine, Curator, Museum of Contemporary Photography, Columbia College, Chicago. Co-published with Photolucida. View Details