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Book Details: HardcoverISBN-13: 9781954119444112 pages; 45 Photographs7 x 10 inches$50 US*Books will ship June 2025Family Amnesia is a visual tribute and love letter honoring the artist's Chinese American family roots in the U.S. The art book explores her family's multi-generational resilience and resistance through mixed media collages, my grandfather’s photographs, my own captured images and archival material.The book project honors the past and current lives of Asian Americans and immigrants in the U.S. by examining the incalculable and traumatic impact that historical events like the 1882 Chinese Exclusion Act continue to have on the Asian American experience. This is a painful part of our American history. Betty Yu is reclaiming that narrative through her own personal family’s story. The book will feature her grandfather’s role as a founding member of the Chinese Hand Laundry Alliance of NY, her mother’s plight as a garment worker who became a labor organizer, as well as her sister’s legacy as a community activist. Yu knows that her family's story is not unique. It is part of the larger collective Asian-American immigration experience.This book project reminds us that the rise of COVID-related anti-Asian violence is part of a larger history of systemic racism. As the U.S. government and corporate-run media continue to vilify China as a global threat, Family Amnesia recalls the anti-China and anti-Asian paranoia and hysteria that created the policies like the 1882 Chinese Exclusion Act and the 1942 Executive Order that placed Japanese-Americans into internment camps. The book will also draw visually on geo-political history, recalling narratives that mocked China as the "sick man of Asia '' and that demonized Chinese as “Yellow Peril”. Betty Yu is an award-winning filmmaker, socially engaged multimedia artist, photographer and activist born and raised in NYC. Yu integrates documentary film, installation, new media platforms, and community-infused approaches into her practice. Betty’s films and multimedia work has focused on labor, immigration, gentrification, abolition, racism, militarism, transgender equality among other issues.   View Details
Book Details: HardcoverISBN-13: 9781954119376112 pages; 50 Photographs8 x 12 inches$50 US*Books will ship June 2025Mythoscape explores themes of transformation and self-discovery, where the journey through nature mirrors an inward journey through the psyche. It invites viewers to reconnect with the mythic dimension of nature, seeing it not merely as a backdrop but as an active participant in the human story—a space of encounter, danger, and transformation, where every element holds the potential for magic and deeper understanding.Azita Gandjei explores the symbolic relationship between humanity and the primal forces of nature, drawing on the archetypes found in myths and fairytales. She invites viewers on their own journey of self-discovery and transformation. Using visual language  informed by shadows, reflections, and surreal compositions, her work is a means to bridge the false dichotomy between us and nature. We are one.  Gandjei is represented by Gallery House in Menlo Park, where she is one of the permanent artists, and by Ilkaa’s Gallery & Atelier in Columbus, Ohio. In 2023, her work was selected in the de Young Museum Open, and she has been part of numerous group shows, including at the San Francisco Women Artist Gallery, Center for Photographic Arts and the Twin Pines Gallery. Carol Henry is a fine art photographer, curator and creative project consultant. Based in Kentucky, her photographic work has been exhibited in over 25 galleries and more than 150 exhibitions. Her extensive experience includes being a fine art print specialist for Ansel Adams' archives, and serving as the gallery director at Post Ranch Inn in Big Sur, California. Henry curated, 100 Years of Female Photographers Views of the Male Subject exhibited at The Center for Photographic Art in Carmel, CA, and at the Florida Museum of Photography. As founder of FotoSagá, a women's photography mentor program, and as a charter member of Women in Photography International, she amplifies photography’s ability to build community.  View Details
Book Details: HardcoverISBN-13: 9781954119369284 pages; 238 Photographs10.5 x 11.25 inches$60 US*Books will ship June 2025Covering more than a half century of dramatic social and political change, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the complex world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s just one year after the Summer of Love (1967), when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nation reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist––a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself.Susan Ressler Photographs: 50 Years, No End In Sight is an impressive retrospective that traces over fifty years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo on Ressler’s California work, and the other an afterword by Mark Rice. Although some of the images appear in Ressler’s previous Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include “At Owner’s Risk” (her Canadian First Nation photographs), “From Analog to Digital” (an account of photography’s transition from analog film to digital media), and “Beyond Borders” (work from Europe, Asia, and Israel). The book ends with “American Stories,” including South America and the export of US culture abroad, before Ressler comes home to Taos, New Mexico, where she lives and continues to make photographs today.Susan Ressler is a renowned artist, author, and educator who has been making social documentary photographs for more than fifty years. Her work is in the Smithsonian American Art Museum, the Library and Archives Canada, the Los Angeles County Museum of Art (LACMA), and many other important collections. A recipient of two National Endowment for the Arts (NEA) fellowships, Ressler is internationally exhibited and published. She has published two previous monographs with Daylight Books: Executive Order (2018) and Dreaming California (2023).Eve Schillo is Associate Curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA). She has curated many notable and diverse exhibitions featured in LACMA's galleries dedicated to American, Latin American, Southeast Asian, Japanese, modern, and contemporary art, as well as those devoted to photography.Mark Rice is an award-winning author and professor of American Studies at St. John Fisher University near Rochester, New York. He has published several books and contributed essays on photography and visual culture to numerous scholarly journals. Rice contributed the afterword to Susan Ressler’s two previous Daylight monographs, Executive Order (2018) and Dreaming California (2023).  View Details