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Humble Arts Foundation: 31 Women in Art Photography
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Singapore International Photography Festival
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The Prix Pictet photography prize goes to Nadav Kander
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Lu Guang: 2009 Eugene Smith Fund Recipient
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HOWARD CHAPNICK GRANT IS AWARDED TO Richard Steven Street
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News
Humble Arts Foundation: 31 Women in Art Photography
Posted by Daylight Books on
In March 2010, in honor of Women’s History Month, Humble Arts Foundation (hafny.org) will present its second edition of 31 Women in Art Photography,
a six-week exhibition celebrating 31 of the most innovative women in
emerging art photography. The exhibition will be co-curated by
Charlotte Cotton and Jon Feinstein, and will take place at Affirmation
Arts.
After considering Humble Arts Foundation’s mission to advance the careers of emerging art photographers, the Humble Arts Foundation has decided to eliminate the age barrier for our 31 exhibition. Humble Arts Foundation has always affirmed that “emerging” is not analogous with age. Therefore, effective immediately, women photographers, regardless of age are eligible and encouraged to apply for the newly titled 31 Women in Art Photography exhibition. For more information about Humble Arts Foundation and submissions for the 2010 31 Women in Art Photography show, visit http://hafny.org/events/open-call-31-women-in-art-photography/.
Singapore International Photography Festival
Posted by Daylight Books on
The SIPF is a worldwide biennial gathering of minds commonly pursuing the advancement and appreciation of photography. An arena for critical thought and academic discussion on photography in Southeast Asia, the festival also functions as a platform to nurture and propel photographers onto the international stage.
Now, the 2nd SIPF commences with two categories for open call. The open-ended theme category continues with the purpose of unearthing new works and talents. This year’s festival incorporates a brand new themed category titled, ‘HUMAN: NATURE’ to address universal concerns faced by the world. The duality in the theme can be freely interpreted either as ‘Human Nature’ or ‘Human Nature’. The ‘colon’ represents a relationship and a balanced ratio between Human and Nature. Thematically, this category is an ambitious call for creative interpretation on HUMAN: NATURE.
For more information about this opportunity, visit www.sipf.sg.
The Prix Pictet photography prize goes to Nadav Kander
Posted by Daylight Books on
Kofi Annan, Nobel Laureate and former Secretary General of the United Nations, has awarded this year’s prestigious Prix Pictet photography prize for environmental sustainability to British based photographer Nadav Kander and a photography commission to American photographer Ed Kashi at the Passage de Retz, Paris.
The Prix Pictet is an annual search for photographs that communicate powerful messages of global environmental significance under a broad theme. This year that theme is ‘earth’. Nadav Kander was nominated for his series of photos, Yangtze, The Long River Series, 2006-07, documenting the rapidly changing landscape and communities of China’s Yangtze River, from its mouth to source.
Lu Guang: 2009 Eugene Smith Fund Recipient
Posted by Daylight Books on
Lu Guang has been documenting the ecological disasters in China
resulting from the rapid growth of the economy since 2005, focusing on
environmental pollution and the problem of schistosomiasis (bilharzia).
Over the last three decades, peoples' living standards have constantly
been on the rise in the country. At the same time, industrial pollution
has brought serious consequences for public health and for the
environment at large.
HOWARD CHAPNICK GRANT IS AWARDED TO Richard Steven Street
Posted by Daylight Books on
Richard Steven Street of California was announced as the recipient of the 2009 Howard Chapnick Grant for the advancement of photojournalism. Richard Steven Street is a photographer/writer/historian who resides in San Anselmo,California specializing in agricultural photography. His project is a book to be published in 2011 titled: Subversive Images: Leonard Nadel’s Massive and Unknown Photo Essay on Braceros in 1956.” It is a work of photographic history with strong and disturbing images of Mexican braceros working in the fields of California under abusive and humiliating condition in the 1950s. The book recreates the work of one of the best but unheralded California photographers, Leonard Nadel.