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Frank Gohlke: Coordinates and the Lines Between

Posted by Brianna Kusilek on

“Anything that interested me in the area between 42.30N and 42.31N was a potential subject,” Gohlke says. “I had a very loose notion that I was creating a synecdochal portrait of Massachusetts as a whole, but I was also, and perhaps mainly, interested in the way an idea affects the way we look at a rather random group of photographs. Well, sort of. This is where it gets complicated." Photographs by Frank Gohlke. Text by Kirsten Rian. Before his immersion into photography, Frank Gohlke studied English Literature. At Yale University (M.A. in English,1966), Gohlke met Walker Evans and then studied privately with Paul...

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New Daylight Digital Feature – 'Cara Phillips: Redefining Beauty' with text by Jon Feinstein

Posted by Olivia Branscum on

Photographer Cara Phillips draws on her personal experience as a former model and actress to make images that are challenging, eerie, and nevertheless beautiful in their open critique of the beauty industry. Check out Daylight's latest digital feature to see more of Phillips' work. Text by Jon Feinstein.

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New Daylight Digital Edition – Timothy Briner: Time, Labor, Loss

Posted by Olivia Branscum on

In this new Daylight Digital feature, Jon Feinstein discusses the development of photographer Timothy Briner from his sensitive depictions of the American cultural landscape to the liberatory experiments – in the darkroom and beyond – showcased in his body of work entitled 'Time, Labor, Loss.'

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NEW DAYLIGHT DIGITAL EDITION: 'SEEING THINGS APART' by Lucas Blalock & Jon Feinstein

Posted by Olivia Branscum on

Lucas Blalock's photographs use intentionally evident editing processes to dissect the relationship(s) of the increasingly digital-leaning photographic medium to its analog incarnations – as well as to painting and sculpture – with occasionally unsettling, conceptually rich results. With text by Jon Feinstein.    

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NEW DAYLIGHT DIGITAL EDITION: 'WE WERE HERE BY' Eirik Johnson & Jon Feinstein

Posted by Joseph Bensimon on

Eirik Johnson's emotionally charged photographs of adolescent carvings in tree trunks are shot entirely at night using sparklers, moonlight and prismatic light. The resulting pictures are luminous remnants of love, devotion and personal obsession. With text by Jon Feinstein. View the feature here!  

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