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Book Details: Trade paperISBN-13: 978-1942084631111 pages; 57 Black and white photographs 25 color photographs9 x 11 inches$45 US; $65.50 CAN “Sol y Tierra” is a convincing illustration of empathy.”,- F-Stop Magazine, March 30, 2019“...takes us on a journey across the Northwestern border of Mexico and challenges us on what exactly separates us from those on the other side.”,- Musee Magazine, May 16, 2019Also featured by LenscratchPhotographs by Emily Matyas Foreword by Kirsten Rian Contributions by Amparo Wong Molina, Sergio Anaya, and Linda Valdez This project explores Mexico over the last thirty years by highlighting the challenges and beauty of life just south of the border. Collectively, the photographs invite dialogue between Mexico and the United States as viewers on both sides may recognize something of themselves in the pictures. Emily Matyas is a photographer and educator based in the United States.Kirsten Rian is an independent photography curator, writer, and artist.Sergio Anaya is a Mexican editor, journalist, and author.Amparo Wong Molina is a science professor based in Mexico.Linda Valdez is a writer and journalist who was a finalist for the Pulitzer Prize in 2003.
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SOL Y TIERRA / SUN AND EARTH Views Beyond the U.S.–Mexico Border, 1988–2018
Emily Matyas
$ 45.00
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Book Details: HardcoverISBN-13: 9781954119161100 pages; 37 Color Photographs10 x 12 inches$50 USFeatured in: The New Yorker, Esquire – “The Best Fantasy Books of All Time”, Esquire – “The Best Fantasy Books of All Time”, Harper’s Magazine Online, Booooooom, Mississippi Arts Hour, and Salvation South.Southern Fiction explores the history of the American South using its literary tradition as a road map by focusing on environments which have shaped the imaginations of 20th-century Southern writers during their formative years or throughout the course of their lives and careers. The images portray domestic settings, vernacular architecture, and rural landscapes that visually resonate with the history, culture, and atmosphere of the Deep South. Tema Stauffer is a photographer whose works examines the social, economic, and cultural landscape of American spaces. She is currently an Associate Professor of Photography at East Tennessee State University. Her work is represented by Tracey Morgan Gallery in Asheville, North Carolina and has been exhibited at galleries and institutions nationally and internationally. Casey Cep is a staff writer at The New Yorker and the author of Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee. Lauren Rhoades is a writer and director of grants at the Mississippi Arts Commission. Formerly, she served as director of the Eudora Welty House & Garden, a literary house museum in Jackson, Mississippi operated by the Mississippi Department of Archives and History. Honorée Fanonne Jeffers is a novelist, poet, and essayist. Her first novel, The Love Songs of W.E.B. Dubois, was an instant New York Times bestseller, won the National Book Critics Circle Award for Fiction, and was nominated for the National Book Award.
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Southern Fiction
Tema Stauffer
$ 50.00
Book Details: HardcoverISBN-13: 9781954119093112 pages; 70 Black & White Photographs8.5 x 11 inches$45 USFeatured in: All About Photo, L’Oeil de la Photographie, Today Euro24, Art Daily, and Fr Postus.Photographer Ed Hotchkiss traveled to neighborhoods from the north Bronx to Rockaway; from the teeming center of Queens to the western edge of midtown. This unexpected odyssey resulted in a group of photographs that reveals the true humanity on the NYC subway. Ed Hotchkiss has traveled to six continents, over 100 countries and every U.S. state. He specializes in photographing street life, urban and nature landscapes, musical events and night scenes.Lawrence Weschler is an award winning writer with contributions to The New Yorker, The Atlantic, the New York Times Magazine, McSweeneys and The Believer.
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Station to Station: Exploring the New York City Subway
Edward Hotchkiss
$ 45.00
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BOOK INFO Cloth, 11 X 9 In. / 108 Pages / 36 Color ISBN 9780983231608 List Price: $29.95 Photographs by Alejandro Cartagena Introduction by Karen Irvine Contributions by Lisa Uddin Alejandro Cartagena photographs the particularities of the suburbs of Monterrey, Mexico, which are relatively new and often hastily built, reflecting a general disregard for planning. Over the years, various governmental policies have resulted in new, decentralized cities with limited infrastructures, where the pursuit of immediate financial gain trumps any interest in sustainability. Cartagena captures both the destruction that rapid urbanization has imposed on the landscape and the phenomenon of densely packed housing. Pictures of dried-up riverbeds attest to the water misallocation and depletion brought about by the construction, and Cartagena depicts perpetual rows of tiny houses slicing directly into the foothills of the picturesque mountains that surround Monterrey. Only the landscape appears capable of limiting their proliferation: the mountains and rivers seem the only forces able of containing the suburban sprawl. Ultimately, Cartagena documents the chaos and destruction that result from scant or misguided urban planning. He lives in downtown Monterrey, and he cares deeply about its land, its people, and its future. Understanding that overdevelopment is not just a local problem, he works hard as an artist to share his photographs as one clear plea for responsible, sustainable development in a rapidly changing world. Text adapted from the Introduction by Karen Irvine, Curator, Museum of Contemporary Photography, Columbia College, Chicago. Co-published with Photolucida.
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Suburbia Mexicana
Alejandro Cartagena
$ 29.95
Book Details: FlexiboundISBN-13: 9781954119154128 pages; 74 Color Photographs8 x 8 inches$45 USFeatured by: “Smart Shot” - Saturday Guardian in print, The Guardian Online, Eye of Photography, Huck magazine, LensCulture, Exibart Street, and Ink. New York City subways – the century-old transit system has survived two World Wars, the Great Depression, and Hurricane Sandy. It and the millions of citizens that rely on it as their daily lifeline will also survive the COVID-19 pandemic. Subwaygram captures mobile phone street portraits of the diverse community of riders two years before and two years after the first case was confirmed in New York City and the commonalities in the fleeting moments of their journeys.Chris Maliwat has been photographing the subway for many years and sharing the images on his Subwaygram Instagram feed. Daylight is pleased to offer this selection of favorites collected in the artist's first monograph. Chris Maliwat is a street-portrait photographer who captures surreptitious moments of everyday people on their journeys in the cities where they live. Aaron L. Morrison is a New York City-based journalist whose work on race, criminal justice and grassroots social movements has been published by The Associated Press, the global nonprofit news wire. "Chris Maliwat describes the New York subway as the first slot in a pinball machine. “Whenever I head down there, I know it’s going to be a mini adventure, like I’m about to be launched into the world,” he says. “I saw this woman waiting at Metropolitan Avenue/Grand Street station and wondered which world she was about to shoot out into. Are there people like her where she’s going? Is she headed to her tribe? I think so. Everyone finds their tribe in New York – that’s why people come here.”"-The Guardian, December 3, 2022. "I was (and continue to be) intrigued by the breadth of this project, and the empathetic lens through which he recorded his subjects. "-Lenscratch, November 18, 2022
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Subwaygram
Chris Maliwat
$ 45.00
BOOK INFO Hardcover, 12 X 7.5 In. / 144 Pages / 55 Duotone ISBN 9788881587902 List Price: $49.95 Photographs by Bruce HaleyWriting by Andrei CodrescuProduced between 1994 and 2002, the images in Sunder sweep the viewer along on a far-reaching journey through numerous former USSR and Iron Curtain countries, stopping at landscapes of ruin and moments of grace in equal measure. Haley's explorations were intuitive, responding to a deep curiosity to taste the last drops of the would-be utopian ideology that dominated global politics during the first thirty years of his life. Using black and white film, the notion of remnants and transition would sustain Haley's photographic investigation for some eight years. The resulting images present a stark perspective of the collapse of the communist empire. Haley’s photographs are bleak and brimming with the realism that only a photographer as seasoned as he is could achieve. Given the contrast with Haley’s conflict-based coverage, which was dominated by lush color imagery depicting the most horrific acts of violence imaginable, this personal project seems as much a portrait of the photographer himself as it is an invaluable historical archive.Featured by the New Yorker and New York TimesIntroduction by Kirsten RianForeword by Dina and Clint EastwoodEssay by Andrei Codrescu
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Sunder
Bruce Haley
$ 49.95
Book Details: HardcoverISBN-13: 9781954119369284 pages; 238 Photographs10.5 x 11.25 inches$60 USCovering more than a half century of dramatic social and political change, Ressler’s Photographs is an important document that, through vivid images and an engaging narrative, provides insight and meaning to the complex world we live in today. Global in scope, but with a focus on the Americas, the book begins in the tumultuous 1960s just one year after the Summer of Love (1967), when the author was a young college student who photographed the counterculture, street life on New York City’s gritty Lower East Side, and icons such as Andy Warhol and later Nina Simone, among others. The book then catapults us into a First Nation reserve in Quebec, Canada, as we follow Ressler’s trajectory from novice ethnographic image-maker to mature photographic artist––a career that parallels and comments on the growth of financial empires and consumerism as well as shifting trends in photography itself.Susan Ressler Photographs: 50 Years, No End In Sight is an impressive retrospective that traces over fifty years of artistic development. It includes six major bodies of photographic work introduced in her own words, complemented by two interpretive essays: one by Eve Schillo on Ressler’s California work, and the other an afterword by Mark Rice. Although some of the images appear in Ressler’s previous Daylight monographs (Executive Order and Dreaming California), many are published here for the first time. These include “At Owner’s Risk” (her Canadian First Nation photographs), “From Analog to Digital” (an account of photography’s transition from analog film to digital media), and “Beyond Borders” (work from Europe, Asia, and Israel). The book ends with “American Stories,” including South America and the export of US culture abroad, before Ressler comes home to Taos, New Mexico, where she lives and continues to make photographs today.Susan Ressler is a renowned artist, author, and educator who has been making social documentary photographs for more than fifty years. Her work is in the Smithsonian American Art Museum, the Library and Archives Canada, the Los Angeles County Museum of Art (LACMA), and many other important collections. A recipient of two National Endowment for the Arts (NEA) fellowships, Ressler is internationally exhibited and published. She has published two previous monographs with Daylight Books: Executive Order (2018) and Dreaming California (2023).Eve Schillo is Associate Curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art (LACMA). She has curated many notable and diverse exhibitions featured in LACMA's galleries dedicated to American, Latin American, Southeast Asian, Japanese, modern, and contemporary art, as well as those devoted to photography.Mark Rice is an award-winning author and professor of American Studies at St. John Fisher University near Rochester, New York. He has published several books and contributed essays on photography and visual culture to numerous scholarly journals. Rice contributed the afterword to Susan Ressler’s two previous Daylight monographs, Executive Order (2018) and Dreaming California (2023).
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Susan Ressler Photographs
Susan Ressler
$ 60.00
BOOK INFO Hardcover, 7 X 10 In. / 132 Pgs / 60 Color ISBN 9781942084051 List Price: $45.00 “Her images evoke a connection with forest life as emotional as it is aesthetic...", - American Photo Magazine, Best Photo Books of the Year, December 11, 2015“Beeke makes the primal, remote forms these woods once defined seem very close, very tenuous, and highly endangered.”, - Photo-Eye Books, December 31, 2015Across cultures and centuries, the forest has occupied a unique place in our collective imagination. Sylvania, by Brooklyn-based photographer Anna Beeke (born 1984), explores the intersection of nature, imagination and myth in the American woodlands, from Washington to Vermont to Louisiana.
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Sylvania
Anna Beeke
$ 45.00
Book Details: HardcoverISBN-13: 9781954119451180 pages; 79 Photographs12.6 x 10.5 inches$50 USEssay by Christina BartonThe Afterglow of Industry brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present. Following this, several years were spent researching and writing on each of the 79 photographs featured in this book. In these texts, colonial and industrial histories weave in and out of geology, pre- European Māori history, outside forces from the United States and Europe, and contemporary issues like privatisation, asset sales, the New Zealand housing crisis, and the country’s rebranding as a ‘clean & green’ tourist destination.Similar to the collapse of America’s industrial Midwest, New Zealand has also experienced the whiplash of industry vanishing. Here though, this has been complicated by much of this industry first emerging in conjunction with European colonization. Corson-Scott’s work focuses on these tensions, particularly in Te Waipounamu South Island, where the regions of the West Coast and Otago see industrial remnants contrasted with vast and complex landscapes. From these areas come images of freezing works on sacred rivers, contested mining projects, dwellings of 19 th century Chinese miners, gold processing plants still contaminated more than a century later, floods of acid mine drainage, and the demolition of factories which once built the country’s modern infrastructure. Elsewhere, on a remote sandspit is one of history’s largest whale strandings, industrial spaces are repurposed by artists, controversial hydroelectric schemes divert rivers, ancient forest remnants become tourism, and city fringe orchards are bulldozed for development.Chris Corson-Scott is an artist from Tāmaki Makaurau Auckland, Aotearoa New Zealand. His photography has been exhibited in over 40 museum and private gallery exhibitions in Aotearoa, and his work is held in permanent collections including: Museum of New Zealand Te Papa Tongarewa, Auckland Art Gallery Toi o Tāmaki, Christchurch Art Gallery Te Puna o Waiwhetū, and Ngā Puhipuhi o Te Herenga Waka—Victoria University of Wellington Art Collection. His previous publications include Evanescent Monuments (2018), and Dreaming in the Anthropocene (2017), both on Compound Press.Christina Barton is a writer, curator, editor and educator based in Te Whanganui-a-Tara Wellington, Aotearoa New Zealand. She is the former director of Te Pātaka Toi Adam Art Gallery at Victoria University, Wellington, and was previously a curator at Auckland Art Gallery Toi o Tāmaki, and Museum of New Zealand Te Papa Tongarewa.
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The Afterglow of Industry
Chris Corson-Scott
$ 50.00
Book Details: Soft cover, leather boundISBN-13: 978-1942084556144 pages; 96 images6 x 8 inches$45 US; $58.99 CAN "...released amid a nationwide conversation about toxic masculinity sparked by the #Metoo movement...", - Time, September 17, 2018 "...a historical document of a powerful—and aggressive—American subculture.", - Vice, October 4, 2018"This is a naked look inside the American frat house.", - The New York Post, September 27, 2018Also featured by: Photo District News - Notable Photo Books of 2018The GuardianBritish Journal of Photography Photographs by Andrew MoiseyContributions by Cynthia Robinson and Nicholas L. Syrett The American Fraternity is a photobook that provides an intimate and provocative look at Greek culture on college campuses by combining contemporary photographs with scanned pages from a wax-stained 60 year old ritual manual. This book will shed new light on the peculiarities of the fraternal orders which count seventy-five percent of modern U.S. presidents, senators, justices, and executives among their members. These mysterious campus organizations are filled with arcane oaths and ceremonies and this book attempts to capture within its pages some of this dark power. Andrew Moisey is an award-winning photographer and educator. He is Assistant Professor of Art History and Visual Studies, a Rosevear Faculty Fellow at Cornell University. He received his Ph.D. in Film and Media Studies (May 2014) at the University of California, Berkeley. Cynthia Robinson is Professor of History of Art and Visual Studies at Cornell University, where she also serves as Chair of Undergraduate Studies in the History of Art.Nicholas L. Syrett is professor of women, gender, and sexuality studies at the University of Kansas and author of The Company He Keeps: A History of White College Fraternities and American Child Bride: A History of Minors and Marriage in the United States.
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THE AMERICAN FRATERNITY
Andrew Moisey
$ 45.00
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BOOK INFO Hardcover, 7.5 X 9.5 In. / 88 Pages / 66 Color ISBN 9780989798112 List Price: $45.00 “...a beautiful photographic poem about being human and accepting our mortality.”, - Lenscratch, September 5, 2014"...both ominous and touching...", - Hyperallergic, November 1, 2014Photographs by Hiroshi Watanabe Text by Kristen Rian The latest body of work from California-based Japanese photographer Hiroshi Watanabe (born 1951), The Day the Dam Collapses consists-- unusually, for this artist--of digital photographs taken over the past five years since the birth of his son. Ranging in content from details of quotidian life to poetic visual metaphors, The Day the Dam Collapses paints the cycles of life as fleeting, fragile, and devastatingly ephemeral. In his introduction to the book, Watanabe writes: "the truth is, we are all living like the characters in a disaster movie. We know we may someday face a disaster or a terrible event, but we keep living calmly as we do not know what and when that might occur. But a disaster will surely come to us. And the largest disaster must be our death that we all have to face sometime in the future." Despite these looming intimations of mortality, Watanabe persists in recording and sharing a life fully felt.Text by Kirsten Rian.
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The Day the Dam Collapses
Hiroshi Watanabe
$ 45.00
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BOOK INFO Cloth, 12 X 11 In. / 124 Pages / 50 Color ISBN 9780989798105 List Price: $49.95 “...(images) not just capturing rebirth but the final waking moments of a culture in Afghanistan that may be disappearing forever under the prodding pressure of the West.”, - Photo - Eye, May 22, 2014“...a book that captures the rebirth of a once vibrant cinematic culture, bridging the past and the future.”, - ARTINFO, May 25, 2014Also featured by Time Lightbox: The Best Photobooks of 2014Photographs by Jonathan Saruk In a nondescript concrete building along a busy street in the old city of Kabul, young men file into a dark, smoke-filled theater and take their seats. Soon, the projector roars to life, and the audience begins to laugh, whistle, and even dance as the latest Pakistani cinematic drama illuminates the big screen before them. In his new book, The Forbidden Reel, American-born photographer Jonathan Saruk documents the cinemas of Kabul-entertainment venues that were banned under the Taliban but have sputtered back to life since the US invasion 12 years ago. The Forbidden Reel provides an alternative narrative to life in this violence-plagued city, where going to the movies is, for many, an escape from the harsh reality that lies outside.
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The Forbidden Reel
Jonathan Saruk
$ 49.95
Book Details: HardcoverISBN-13: 9781954119482148 pages; 93 Photographs8 x 12 inches$50 USPhotographs by Judith Goodman and Frank Van RiperText by Frank Van RiperThe Green Heart of Italy: Umbria and Its Ancient Neighbors provides an intimate portrait of the lush and verdant region of Umbria, known as ‘Tuscany without tourists.’ The pandemic halted international travel and access to most areas of Europe, creating lasting impacts on these regions which benefit greatly from outside visitors. Now, in the post-Covid reboot of Italy’s ever growing tourist industry, Umbria is poised to attract much needed visitors to help support this central region of the country. The Green Heart of Italy weaves between exteriors and interiors of this unique emerging region, painting a picture of an oasis unknown to most. This monograph also incudes an extensive body of text, written by Frank Van Riper that provides a first hand account of these often overlooked gems.Frank Van Riper and Judith Goodman are husband and wife documentary and fine art photographers, whose work has been published internationally. Goodman’s photography has hung in the Corcoran Gallery of Art in Washington, DC and the Baltimore Museum; she also is an award-winning assemblage sculptor and a member of the Washington Sculptors’ Group. Van Riper’s photography is in the permanent collections of the National Portrait Gallery (Washington, DC) as well as the Portland Gallery of Art (Portland, Maine.) His 1998 book of photography and essays, Down East Maine: A World Apart, was nominated for a Pulitzer Prize and won the silver award for photography from the Art Director’s Club of Metropolitan Washington.
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The Green Heart of Italy: Umbria and Its Ancient Neighbors
Frank Van Riper and Judith Goodman
$ 50.00
BOOK INFO Hardcover, 9 X 8 In. / 116 Pages / 50 Color ISBN 9780983231677 List Price: $39.95 “These images reflect longing, and gratitude, amid glimpses of beauty.”, - American Photo Magazine, Best Photobooks of the Year, November 2013"...an introspective collection of images shot over the last eight years through a period of personal crisis.", - Photo District News, April 2013"Jacobson’s photos convey the sensation of opening your eyes for the first, and perhaps the last, time.", - Publishers Weekly, April 1, 2013Also featured by:The New York Times Lens BlogThe GuardianCNNPhoto BlogPhotographs by Jeff Jacobson Photographing with only Kodachrome, photographer Jeff Jacobson has created a seductive portfolio of images reflecting on beauty and mortality. From his opening statement: “A few days before Christmas, 2004, I was diagnosed with lymphoma. Some present. After each chemotherapy session I retreated to our home in the Catskills to recuperate. I began photographing around the house as I was too sick to go anywhere else. As my strength returned, my photographic universe slowly expanded. Shortly thereafter, Kodak discontinued production of Kodachrome. I loved Kodachrome, it helped shape my photographic vision. I filled my refrigerator and wine cooler with the stuff and kept shooting. I have outlived my film. A few days before Christmas, 2010, I exposed my last roll.” This compelling body of photographs provides a nuanced, first-person depiction of a cancer patient’s changing perspectives on life, death, art and the world at large.Featured in Mother Jones, The Guardian, Publishers Weekly, Photo District News, CNN Photo Blog, and Slate.com.
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The Last Roll
Jeff Jacobson
$ 39.95
BOOK INFO Paper over Board, 8 x 10 in / 144 pages / 85 ColorISBN 9781942084976List Price: $50.00Featured in: All-About-Photo, PhotoBook Journal, Bildersturm, Art Daily, and Veteran’s TodayThe Light at the End of History: Reacting to Nuclear Impact presents photo- graphs from artist Abbey Hepner’s decade-long examination of nuclear energy, the atomic bomb, and radioactive waste. By capturing distinct marks in time, Hepner makes visible the ongoing, often invisible, relationships with nuclear technologies.Abbey Hepner is Assistant Professor of Photography at Southern Illinois University Edwardsville. She holds a BFA in Art and a BA in Psychology from the University of Utah and an MFA in Photography from the University of New Mexico. Her work has been exhibited and published internationally.Kirsten Pai Buick is Professor of Art History at the University of New Mexico. She has been the recipient of numerous awards and fellowships, including the David C. Driskell Prize for excellence in African American Art. Her second book, In Authenticity: ‘Kara Walker’ and the Eidetics of Racism is in progress.
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The Light at the End of History
Abbey Hepner
$ 50.00
BOOK INFOPaper over Board, 6 X 9 In. / 80 Pages / 30 ColorISBN 9781942084242List Price: $45.00Photographs by Judith Crispin Foreword by Juno Gemes The Lumen Seed contains photographs, drawings and poems about the indigenous Warlpiri people of Australia's Northern Tanami Desert.The Lumen Seed sensitively depicts a cultural dialogue taking place before a backdrop of offenses against the Australian continent, as well as a history of systematic discrimination against indigenous peoples on the part of the country's white population. The images, created by Australia-based artist Judith Crispin in close consultation with indigenous people, document an attempt by the Warlpiri group to share sacred information with white people; the poems convey the artist's interpretation of those ideas, alongside her development of personal relationships with community elders.Judith Crispin returned to Australia in 2011 after living and working in Germany for several years. Since that time she has driven the 8000km round trip from her home in Canberra to the remote community of Lajamanu many times and established a close relationship with the Warlpiri community there. Crispin has a background in music composition, poetry and photography.
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The Lumen Seed
Judith Crispin
$ 45.00
Book Details: FlexiboundISBN-13: 9781954119406125 pages; 77 Photographs9 x 9 inches$50 US The Many Pleasures: Found Art in New York City celebrates the City’s rich visual tapestry through photographs of street and subway surfaces transformed by human hand and organic decay. The book’s images of torn posters on buildings, construction fences, subway panels, and doors and mailboxes covered with stickers and graffiti remind us that art is all around us, as much a way of seeing as objects to behold.Barton Lewis is a Brooklyn-based filmmaker and photographer whose work centers around features and fixtures of the street and subway transformed by street artists and organic decay. His work has been featured in the The Harvard Business Review, and exhibited in spaces such as Gallery 85, in the lobby of Google’s New York headquarters. His work has been shown in New York, Los Angeles, Paris, Szczecin, Poland and elsewhere in the US and Europe.
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The Many Pleasures: Found Art in New York City
Barton Lewis
$ 50.00
BOOK INFO Hardcover, 9 X 9 In. / 88 Pages / 51 B+W ISBN 9781942084006 List Price: $50.00 “Vrba creates enigmatic images that grab the eye with their artistry and tease the mind with their inscrutability.”, - American Photo Magazine, Best Photobooks of the Year, December 11, 2015“...a photographic narrative about memory, loss, providence, and revival.”, - Lenscratch, March 24, 2015 “...a culmination of the artist’s unapologetic, on-going explorations of femininity and the Southern landscape.”, - Houston Press, June 15, 2015Photographs by Lori Vrba The Moth Wing Diaries is a photographic narrative addressing themes of memory, providence, revival and dreams, by native Texan photographer Lori Vrba (born 1964). Vrba's surreal landscapes and portraiture explore the artist's sense of conflict and ultimate peace with the Southern terrain.
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The Moth Wing Diaries
Lori Vrba
$ 50.00
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BOOK INFOPaper over Board, 10 X 12 1/2 In. / 115 Pages / 63 Color PhotographsISBN 9781942084402List Price: $45.00The Pines is a photographic exploration looking at remnants of the momentous and sacred old-growth long-leaf pinelands across the southeastern United States. Historically, this was once one of America’s most significant landscapes. This book is Chuck Hemard’s experience in the present that gives a tiny glimpse of insight into both past and future. Chuck Hemard has work included in public collections across the southeast United States, including the Columbus Museum of Art in Columbus, GA and the Ogden Museum of Southern Art in New Orleans.Nick Norwood is a professor of creative writing at Columbus State University.Dr. Rebecca Barlow, Alabama Cooperative Extension System Specialist and Associate Professor, Auburn University School of Forestry and Wildlife Sciences
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The Pines
Chuck Hemard
$ 45.00
Book Details: HardcoverISBN-13: 9781954119239112 pages; 65 Photographs10 x 10 inches$50 USDFeatured in: All About Photo, Art Daily, and South By Southeast Magazine. The Poetry of Being expresses the artist's response to the fragility and perseverance of nature through photographs and haikus. Images of what was, things still hanging on, the effects of climate change, and the cycle of life make up this ever relevant monograph. The book’s quadtone printing process mimics the original photographs’ platinum palladium prints evoking a sense of beauty in their darkness and underscoring the importance of connecting with the environment to find hope in challenging times. Lynne Buchanan is an award winning photographer who has been featured in numerous solo and group exhibitions in museums and galleries across the United States, as well as in Athens, Greece.Pradip Malde is a photographer, Guggenheim Fellow, and Samuel R. Williamson Distinguished University Chair and Professor of Art at the University of the South, Sewanee, Tennessee.James Lenfestey is a recipient of several Page One awards for excellence, and has published two collections of personal essays, seven collections of poems, edited three poetry anthologies and co-edited Robert Bly in This World, University of Minnesota Press.
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The Poetry of Being
Lynne Buchanan
$ 50.00
Book Details: HardcoverISBN-13: 9781954119260116 pages; 58 Photographs6 x 9 inches$50 USEssays by Jacque Rupp, Elinor Carucci, Jason Langer and Ann JastrabFeatured in: All About Photo and Lenscratch.The Red Purse is about love, loss, and rebuilding. Shortly after the death of her husband, Rupp bought a red purse, which became deeply personal to the artist. As a young widow, the red purse represented freedom in an otherwise dark and uncertain time.Jacque Rupp is a documentary and fine art photographer based in the San Francisco Bay Area. A visual storyteller, Rupp uses the camera to challenge and question, offering a unique perspective on the world around us. In her most recent work, Rupp focuses on womanhood; using herself and her experiences. as the subject matter, Rupp ventures off into the imagined, exploring issues of identity and purpose. Her photographs are held in private collections and have been exhibited widely in juried shows and publications, and was selected as a Critical Mass 2022 and 2023 finalist.Elinor Carucci’s work has been included in many solo and group exhibitions worldwide and appeared in publications internationally. Her work is in the collections of MoMA, The Jewish Museum, the Brooklyn Museum and many others. She was awarded the ICP Infinity Award in 2001, The Guggenheim Fellowship in 2002 and NYFA in 2010.Jason Langer’s photography is known for its sense of mystery, eroticism and suspense. His work is rooted in universal mystical ideas, his Jewish upbringing, and Buddhist and Jungian concepts. He has published four monographs distributed worldwide including: Secret City (2006, Nazraeli Press), Possession (2013, Nazraeli Press), a mid-career retrospective Twenty Years (Radius Books, 2015) and Berlin (Kerber Verlag, 2022). Langer has been published in the New York Times, Vanity Fair, American Photographer and countless other publications and exhibits and publishes regularly.Ann Jastrab serves as Executive Director for The Center for Photographic Art. Jastrab has curated many exhibitions for RayKo during her tenure as gallery director – while also jurying, curating, and organizing numerous exhibitions for other national and international venues outside of the San Francisco Bay Area.
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The Red Purse: A Story of Grief and Desire
Jacque Rupp
$ 50.00
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