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Book Details: HardcoverISBN-13: 9781954119468112 pages; 50 Photographs9 x 10 inches$50 USForeword by Lily BrewerImages mediate political operations, public and covert. It is difficult, if not impossible, to imagine the most significant events of the last century without the photographic forms in which they were captured. Lesser known and suppressed activities that have greatly impacted modern global power dynamics also leave photographic traces, and in many cases, photography has been at the center of clandestine actions by state and parapolitical actors. Critical Collection is an assemblage of declassified archival photographs and other found images processed and re-contextualized by artist and researcher Evan Hume. He obtains this source material primarily from the Central Intelligence Agency, National Archives, and National Reconnaissance Office. With photographic intelligence gathering at its core, Hume’s work expands centrifugally, making unexpected visual and conceptual connections that form a complex web of fact and speculation. At a time of AI proliferation and heightened global tension, Critical Collection encourages viewers to look closely at remnants of the once-secret imaging systems that have shaped the world and imagine what remains unseen. Evan Hume is an artist and educator living in Ames, Iowa, where he is Assistant Professor of Photography at Iowa State University. He earned his BFA from Virginia Commonwealth University and MFA  from George Washington University. Raised in the Washington, DC area, Hume's approach to photography is informed by the experience of living in the nation’s political center for much of his life and focuses on the medium’s use as an instrument of the military-industrial complex. He has exhibited widely in solo and group exhibitions and his work has been featured by publications such as Aperture, Der Greif, Financial Times, and Fisheye. Hume’s first monograph, Viewing Distance, was published by Daylight Books in 2021. Lily Brewer holds a Ph.D. in History of Art and Architecture from the University of Pittsburgh specializing in modern and contemporary portrait and landscape photography in the United States southwest. Studying the concurrent development between photographic and weapon technologies, Brewer traces the contours of visual culture and history as it relates to war operations, military preparedness, conflict, and weapons testing during and after the Second World War and its visual articulations today. She is editor-in-chief and founder of sedimenta.org.  View Details
Book Details: Trade PaperISBN-13: 978-1942084617200 pages; Black and White Drawings throughout 4 x 6 inches$11.95 US; $17.50CAN “Hiro’s notebook quickly became a series of notebooks, and Hiro studied their contents tirelessly until his command of American slang was beyond that of anyone else I knew. His conversational English was still limited, but as a slang speaker, he had no equal.", - Brendan Kelly, vocalist of The Lawrence Arms"This collection of curiosities and depravity is like an updated 'Decline of Western Civilization'. Enjoy/cringe at your own risk!" - Tim Kasher, vocalist of Cursive  While on tour as a photographer for numerous punk, hardcore, and indie bands (including Jeff Rosenstock, Minus the Bear, Cursive, Alkaline Trio, Har Mar Superstar, Lawrence Arms, Selby Tigers, Mike Park, and more), Japanese photographer Hiro Tanaka spent ten years compiling a naughty notebook filled with NSFW slang words and crude drawings. Tanaka was known to have a pen and notebook with him at all times that he filled from cover to cover with English colloquialisms, dirty phrases, slang, jokes, and drawings that he would learn from the bands, fans and other people he met traveling.Hiro Tanaka is a Japanese-born photographer who captures ironic and humorous commentaries on various aspects of the American lifestyle.Jeff Rosenstock is an American musician and songwriter from Long Island, United States. He was the lead singer of the ska punk band The Arrogant Sons of Bitches, the musical collective Bomb the Music Industry! and the indie rock band Kudrow. After the breakup of Bomb the Music Industry!, he began a solo career. View Details
BOOK INFO Hardcover, 11 X 13 In. / 144 Pages / 28 Color / 63 Duotone ISBN 9781942084020 List Price: $50.00 Struggle, grief, and yet the dream of normalcy — these are just some in a complex mix of emotions pictured in a new book by Afghan-born photographer Zalmaï.”, - Time Lightbox, June 29, 2015“Zalmaï returns to his homeland and brings a sympathetic eye to the survivors of battle crossfire and of impoverished conditions…”, - American Photo Magazine, Best Photobooks of the Year, December 11, 2015Photographs by Zalmaï Afghan-born photographer Zalmaï was forced to flee to Switzerland at the age of 15 after the 1980 Soviet invasion of Afghanistan. As a freelance photographer, Zalmaï has spent years capturing the human cost of war around the world and in his home country, Afghanistan, where he also sees signs of hope. Dread and Dreams brings together photographs Zalmaï made between 2008 and 2013 against the backdrop of the 14-year U.S.-led invasion of Afghanistan that culminated in 2014 with the withdrawal of American troops.The book presents two contrasting bodies of work: Zalmaï’s epic duotone photographs reveal the stark reality of life in Afghanistan for the millions of Afghan refugees who have returned to their country since 2002, only to find they cannot go back to their homes. Instead, they are forced to live in squalid conditions in makeshift refugee camps and urban slums, where most live on the brink of survival and many take refuge in drugs. In counterpoint to this, Zalmaï then presents a second series of sun-tinged color photographs that reflect the hopes and dreams of the Afghan people. Here, Zalmaï takes us away from the monumental humanitarian crisis wrought by war to reveal signs of the positive life force that permeates his country.Empathetic, indignant, and still hopeful, Zalmaï’s photographs draw attention to Afghanistan’s ongoing struggle, which has largely left the headlines, by focusing on the Afghan people and their lived experience of war, insecurity, chronic governmental mismanagement, corruption on a huge scale and international negligence.  View Details