Hardcover, 8.75 X 11.75 In. / 176 Pages / Duotone
List Price: $50.00
"There is a weird beauty to these menacing images, a poignant absurdity that cuts through the visual overload of our age.",
- The Village Voice, August 24, 2016
"Photos once meant to be a very straight documentation of the United States now take on life as post-modern art pieces.",
- Mother Jones, May 28, 2016
Also featured by: CNN, The Guardian, Hyperallergic
Edited by Bill McDowell
Introduction by Jock Reynolds
Text by Rosanne Cash and Wendell Berry
Contributions by DJ Hellerman
In Ground, Bill McDowell has assembled a series of "killed" negatives from the FSA archives, many of which have never before been published. These include several photographs from 1936 that Walker Evans had made for Let Us Now Praise Famous Men, the book he published with James Agee. Also included are never before published photographs by Walker Evans, Russell Lee, Ben Shahn, Marion Post Wolcott, John Vachon, Paul Carter, Theodor Jung, Carl Mydans, and Arthur Rothstein.
While the book's images document 1930s agriculture and landscapes, they also have been chosen for the manner in which their black hole (created by Roy Stryker's hole punch) abstracts its subjects. McDowell feels that, from a modern viewpoint, the black hole of the "killed" negatives has the appearance of being a contemporary mark, one current with the practice of intervention, alteration, and appropriation. This provides the photographs a temporal duality in which they present the post-Depression era through a contemporary filter. In our continuing struggle to recover from 2008's Great Recession, these photographs speak to now even as they confer on past government programs, race and class, damaged and bountiful land, drought, flood, and exodus.