Publications from Daylight:

Products

Book Details:  Hardcover 978-1942084570 130 pages 10 x 8 inches $45 US; $58.99 CAN  "There is a tenderness and a sensitivity in these pictures of family that cannot be faked. Nolan is not embedded with her subjects, she is entwined. As such, the pictures not only show she has an eye, but also a heart." - Chris Wiley, The New Yorker“Nolan seamlessly blends the everyday nature of her subjects with beautiful stylistic techniques…”, - Musee Magazine, October 29, 2018Also featured by:Photo District NewsHumble Arts Foundation Photographs by Peggy NolanContributions by Bonnie Clearwater and Susanne Opton Real Pictures is the result of many decades of photographs recording the day- to- day workings of a large family. As Chris Wiley of the New Yorker says “there is a tenderness and a sensitivity in these pictures of family that cannot be faked. Nolan is not embedded with her subjects, she is entwined. As such, the pictures not only show that she has an eye, but also a heart.” Peggy Nolan got married, raised seven kids, stayed home, started photographing, shoplifted film, went back to college, studied hard, got divorced, got pierced up, worked harder, graduated from college, stole more film, made more pictures, went back to college, graduated from graduate school, kids grew, calmed down, stopped stealing film, started thinking more, shot beer pictures, still thinking, still making pictures.Bonnie Clearwater is an American writer and art historian. She is the director and chief curator of the NSU Museum of Art Fort Lauderdale.Suzanne Opton is an artist and recipient of the 2009 Guggenheim Fellowship. View Details
Book Details:Hardcover: 116 pagesISBN-13: 978-194208454910 x 8 inches$45.00 U.S."Frank Van Riper’s black-and-white photographs and accompanying text eternize two idiosyncratic decades that will never be duplicated.", - The New York Times, November 29, 2018“...a lively, entertaining compare-and-contrast exercise, wrought using the writer’s own decades-distant, but still vivid, recollections.”, - Musee Magazine, November 5, 2018“...the kind of book only a lover of these two cities can write.”,- F-Stop Magazine, November 23, 2018Also featured by:The Washington Post  Photo District NewsL'Oeil de la PhotographiePhotographs by Frank Van RiperForeword by Martin Walker   Recovered Memory: New York and Paris 1960-1980 is a meditation on time and place: before the internet and 24/7 news; when one could visit the Eiffel Tower without seeing police and automatic weapons, when a ride on the New York subway cost 15 cents, when the smell of fresh-baked baguettes wafted over nearly every Parisian neighborhood, and when the Coney Island parachute ride still thrilled thousands. Van Riper’s striking black and white photographs spanning twenty years, coupled with his eloquent texts, capture the 20th-century romance and grit of New York more than a half century ago, and Paris, some forty years ago. It was a time when the pace of life was slower and somehow less threatening, people talked to each other instead of texting on their iPhones, and you literally had to stop and smell the coffee. Frank Van Riper is an internationally acclaimed documentary and fine art photographer, journalist and author. His photographs are in the permanent collections of the National Portrait Gallery, Washington, DC, the Portland Museum of Art, Portland, Maine, the photography archive of the University of Maryland Baltimore County, and the Tides Institute collection, Eastport Maine, among others. Martin Walker is an internationally renowned journalist and foreign policy scholar, and author of the bestselling ‘Bruno’ series of crime novels set in the Perigord region of France. He is a senior fellow of the Global Business Policy Council, based in Washington, DC. View Details
BOOK INFO Paper Over Board, 7 X 9 1/2 In. / 128 Pages  / 40 Color PhotographsISBN 9781942084372List Price: $45.00“...an elegantly designed book…”, - Hyperallergic, June 20, 2017“ObjectImage is an argument for the inconspicuous.”, - Musee Magazine, July 21, 2017Photographs by Sarah TullochForeword by Marjolaine Ryley Contributions by Matthew Hearn Sarah Tulloch: ObjectImage is a poignant approach to the physical material of a photograph and a re-imagination of it into new forms.ObjectImage roots itself in album collections of the artist and others that are linked to the social tradition and history of documenting family. Through collage, Tulloch maintains a thread between past and future with her ability to form new connections within the image composition. The work continues to evolve, including through its usage of contemporary newspaper images. Tulloch's use of photomontage allows her to refocus the media, recompose the image and ultimately to rediscover and repurpose the photographic subject.Sarah Tulloch holds a First Class honors degree from the Bristol School of Art and a Design and Distinction, Master of Fine Arts from Newcastle University. She concentrates on a close-range investigation of found photographs as both objects with specific material qualities and images in themselves. Her book, published by Daylight Books, is supported by the Arts Council England. Tulloch has been exhibited by Plus Arts Projects, the Mayor's Parlour, London, Baltic 39, and MIMA Emerging Curators. View Details
BOOK INFOPaper over Board, 6.5 X 8.5 In. / 96 Pages / 50 ColorISBN 9781942084228List Price: $30.00"These are not your average Christmas cards.", - The Week, December 7, 2016"...a brilliant new book reveals the festive correspondence of some of modern art’s greatest pioneers...”, - AnOther Magazine, December 20, 2016Edited by Vincent Cianni Foreword by Joseph Scott IV Contributions by Allen EllenzweigSeason's Greetings includes reproductions of handmade art objects or limited printings that come from the Estate of Monroe Wheeler.As Director of Exhibitions and Publications at the Museum of Modern Art from 1939 to 1967, Monroe Wheeler heavily influenced typography, book design, and the development of the museum exhibition catalog. During his tenure at MoMA, Wheeler developed close relationships with many of the artists whose works he exhibited and published. Season's Greetings is a volume of over fifty handmade art objects and limited printings that were sent to Wheeler from artists, many of whom he knew intimately, including never-before-seen work by such luminaries as André Kertész, Marc Chagall, Ben Shahn, Robert Parker, Roberto Montenegro, Herbert Bayer, Max Weber, Alexander Calder and more!Essays by Allen Ellenzweig, Joseph Scott IV and Vincent Cianni establish the importance of this vast archive of art, letters, and ephemera, and highlight Wheeler's wide influence within his field. Season's Greetings is a fitting tribute to a man whose life's work centered on and celebrated fine art publications.Vincent Cianni is a documentary photographer and archivist for the Estate of Anatole Pohorilenko and the Monroe Wheeler Archive. He teaches at Parsons, The New School for Design in New York City, and has authored two books, including Gays in the Military, published by Daylight Books in 2014.Joseph Scott IV, Philadelphia, PA, became caretaker of the Manhattan apartment of Monroe Wheeler in 1990 to assist with organizing and preserving this important archive. His work continues today, as executor for Anatole Pohorienko, to help finish cataloging the remaining material for Mr. Wheeler, Glenway Wescott and George Platt Lynes.Allen Ellenzweig, New york, NY, is an arts critic and cultural commentator currently preparing a biography of twentieth-century photographer George Platt Lynes for Oxford University Press. He is a contributing writer to the Gay & Lesbian Review Worldwide and has published in Art in America, PASSION: the Magazine of Paris, Studies in Gender and Sexuality, and the online magazine Tablet. He has also published works of short fiction. His landmark 1992 illustrated history, The Homoerotic Photograph: Male Images from Durieu/Delacroix to Mapplethorpe, was reissued in paperback by Columbia University Press in 2012. He teaches in the Writing Program at Rutgers University, New Brunswick, New Jersey. He is a founding board member of The Robert Giard Foundation which offers an annual fellowship to photographers, videographers, or filmmakers. View Details
Book Details: Paper over boardISBN-13: 9781942084846128 pages; 50 B&W photographs10 1⁄4 x 9 1⁄4 inches$45 US; $58.99 CAN "Distinctively urban, the images extenuate the interplay between dark shadows, rich blacks, sharp contrasts, and artificial light that conjure up a sense of mystery and foreboding." - Art DailyAlso featured inL’Oeil de la PhotographiePhotographs by Ken DreyfackIntroduction by David A. Ross The photographs in Silent Stages set the scene for dramatic urban narratives, like theatrical stages or movie sets. At the same time, they constitute artifacts from various stages of the artist’s life, visual traces of the sedimentary layers that have quietly accumulated atop one another over time. Dreyfack sees them almost as relics from a personal archeological dig—a layered visual memoir that emerges from the artist’s dual Franco-American identity. All of the images, shot over the past five years around New York or Paris, establish visual and thematic parallels and equivalencies between the two seemingly disparate poles of the artist’s life. Ken Dreyfack is a nationally exhibiting artist. Ken was awarded second prize for The Photo Review’s 2018 competition, juried by MOMA photography curator Sarah Meister. His work was selected for Photography Now 2018 at CPW and was awarded a silver prize at the 2019 San Francisco Bay International Photography Competition. David A. Ross is former director of the Whitney Museum, and the San Francisco Museum of Modern Art. He is currently the Chair of the MFA Art Practice program at the School of Visual Arts. View Details
« 1 9 10 11 12 13 15 »