Publications from Daylight

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BOOK INFO Paper Over Board, 11 X 9 In. / 96 Pages  / 45 ColorISBN 9781942084204 List Price: $45.00“...these fresh, layered and technically complex images examine the possibilities in the un-sensed and unimagined...”, - Artdaily, September 4, 2016“Kyne uses light and perspective to create a mysterious world that otherwise would go undiscovered.”, - Musee Magazine, November 8, 2016“...the photographs in A Crack in the World shift human vision into an extraordinary terrain, one where Kyne and her camera revel.”, - KQED Arts (NPR), November 16, 2016Photographs by Barbara Kyne Contributions by Susan Griffin A Crack In The World presents Barbara Kyne's photographs of the five acres which she and her partner share in Mariposa, California. Kyne photographs as a means understanding so-called reality, wondering what lies outside of the environment that she can detect with her own limited human biology. Ultimately, Kyne produces a photography of nature that does not rely on the nature genre, or even on the subject matter of nature for engagement or visual enjoyment, but instead examines the possibilities in the not-sensed and the imagined. A Crack In The World contains fresh and elegant, yet layered and technically complex photographs that inspire empathy for all beings, and the planet that sustains them. An accompanying essay by Susan Griffin examines the artistic and theoretical implications of this deceptively simple body of work.Barbara Kyne is an artist based in Oakland, California. Her work has been shown at SF Camerawork, Photo Center NW, the Trition Museum of Art, The Kala Institute, and the Bedford Gallery, and is featured in many contemporary photography books and publications. View Details
BOOK INFOPaper over Board, 11 X 10 In. / 148 Pages / 60 Color PhotographsISBN 9781942084488List Price: $45.00“Photographer Nish Nalbandian gives some of the hundreds of thousands of Syrian refugees a face, a body, a voice. He invites us to identify, to feel compassion.”, - F-Stop Magazine, May 23, 2018“What makes his work different is its focus not simply on Syrian refugees as victims but on the diversity of their experiences.”,- Royal Photographic Society, July 2018Also featured by: Artdaily L'Oeil de la Photographie Professional Photographer MagazinePhotographs by Nish Nalbandian Foreword by Greg Campbell Contributions by Javier Manzano, Carmen Gentile, and Karam Shoumali A Handful of Dust is an essential collection of reportage for those following the conflict in Syria and its impact on the rest of the world.A Handful of Dust gives a glimpse into the approximately 3 million Syrians who have fled war in their home country and are living in Turkey. Nish has been following this story for several years, chronicling the circumstances of many whose lives have been upended and forced to flee. Most registered refugees don't live in camps, they live in Turkish towns and cities, alongside their new Turkish neighbors. While many refugees are very poor, and most find themselves in a precarious position, there are also working class, middle class, and wealthy Syrians who have made this exodus.Nish Nalbandian has photographed in more than thirty-five countries worldwide in a variety of environments and continues to cover Syrian Refugee issues. Nalbandian's awards include First Prize for Conflict photography in the 2014 IPA, the Gold Medal for War Photography in the 2014 PX3, and many more. View Details
Book Details: HardcoverISBN-13: 9781954119529140 pages; 98 Photographs6.75 x 9.5 inches$50 US Afterword by Kendell Pinkney Books will ship in JuneA Peoplehood | Amiut Yehudit is an intimate and layered exploration of contemporary Jewish identity. Through a conceptual documentary lens, Marnie Salsky weaves together present-day photographs, archival imagery, interview excerpts, and fragments from social media and print news. These elements serve as artifacts that mirror the various facets through which Jewish identity is witnessed, refracted, and archived. The result is a textured portrait of a community navigating belonging, diversity, and the lived experience of antisemitism.Marnie Salsky is a Toronto-based photographer and documentary media artist whose work explores contemporary Jewish identity, collective memory, and the lived experience of antisemitism. Through a conceptual documentary approach, she combines photographs, archival materials, interviews and fragments of digital life to build layered narratives that extend the boundaries of traditional documentary practice. She earned an MFA in documentary media from Toronto Metropolitan University. Her work spans installation, print, and film; an earlier iteration of this project was screened at the Toronto Jewish Film Festival.Kendell Pinkney is a Brooklyn-based playwright, arts & culture advocate, educator and rabbi. His work has been commissioned, developed, and presented at venues across the US and Canada. In addition to his creative work, Kendell is the Director of Jewish Learning and Artist-in-Residence at the arts and culture organization Reboot. Additionally, he serves as the founding Artistic Director of The Workshop, one of Reboot's signature programs providing an arts and culture fellowship for emerging creatives of BIPOC-Jewish heritage.  View Details
BOOK INFOPaper over Board, 11 X 9 In. / 196 Pages / 80 Color PhotographsISBN 9781942084259List Price: $50.00"In his debut monograph, Nalbandian weaves together harrowing images and powerful quotations.", - Smithsonian Mag, September 15, 2016“...a honest and uncensored testimony to the strength and vitality of the people living amidst cataclysmic turmoil...", - Vice, November 19, 2016Photographs by Nish Nalbandian “Despite all the guilt and all the horror, A Whole World Blind is at least in part a book about redemption. When people asked Nalbandian to tell their story—whether it was about a wedding or a funeral— he followed them and listened.”, - Feature Shoot, December 15, 2016A Whole World Blind depicts the realities of war in Northern Syria's rebel-held territories, from the brutal to the mundane.Award-winning photographer Nish Nalbandian has spent three years covering the war in Northern Syria and the refugees from that war in Turkey. His debut monograph, A Whole World Blind, entwines documentary photography and portraiture with oral testimony, essays, stories, and memoir to create a vivid picture of the reality of this war. A Whole World Blind depicts fighters on the frontline, as well as everyday people eking out a living amidst the ruins. Fascinated by the dynamic of life that continues through conflict, Nalbandian's photographs humanize what often read as impersonal headlines about a dangerous war.Nish Nalbandian has photographed in more than thirty-five countries worldwide in a variety of environments and continues to cover Syrian Refugee issues. Nalbandian's awards include First Prize for Conflict photography in the 2014 IPA, the Gold Medal for War Photography in the 2014 PX3, and many more. View Details
BOOK FORMAT Hardcover, 9.5 X 9.5 In. / 128 Pages / 56 Color ISBN 9780983231653List Price: $34.95“What Slavick produces are ghosts, haunting images from a past that, to paraphrase Faulkner, is neither dead nor past.”, - Los Angeles Times, August 3, 2013“...forms one of the most modest, least sensational of commemorations.”, - San Francisco Chronicle, August 2, 2013"...artist elin o’Hara slavick faces a void of annihilation that transcends expression, and yet, with meticulous care and consciousness, she produces photographic exposures that illuminate the unspeakable.”, - The Asia-Pacific Journal, May 12, 2013Photographs by elin o'Hara slavick Text by James Elkins The photographic images of Hiroshima, Japan, in this photo essay are attempts to visually, poetically, and historically address the magnitude of what disappeared, and what remains, after the dropping of the A-bomb in 1945. They are images of loss and survival, fragments and lives, architecture and skin, surfaces and invisible things, like radiation. Exposure is at the core of Slavik's project: exposure to and exposures made from radiation, to the sun, to light, to history, and exposures made from radiation, the sun, light, and history, including historical artifacts from the Peace Memorial Museum’s collection. After Hiroshima engages ethical seeing, visually registers warfare, and addresses the irreconcilable paradox of making barbarism visible as witness, artist, and as viewer.Featured in San Francisco Chronicle, Los Angeles Times, Foam and New York Times, and more!Essay by James Elkins View Details

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Book Details: Trade ClothISBN-13: 9781942084891144 pages; 60 Color Photographs10 1/4 x 8 1/4 inches$50 US"Over 2,000 years ago, one of humanity's most profound thinkers, Aristotle, stated that the whole of our parts is greater than the sum. Collectively, the bits and pieces of all our differences can, theoretically, combine to reveal a better, more complex, "us"." - Creative Boom, October 21, 2020"In difficult times, we find strength from the aspects of life and those around us who help us recognize how interconnected we truly are." - F-Stop Magazine, November 7, 2020Also featured in:Art Omi, and Edge of Humanity Magazine.Photographs by Richard BeavenForeword by Kira PollackEssay by Tom LewisIn 2018 Ghent, New York celebrated its bicentennial anniversary. To mark the occasion photographer Richard Beaven set out to create individual portraits which collectively would represent a “snapshot” and form an archive of the current community. Ultimately 276 portraits were made comprising a clear-eyed and earnest depiction of this unique Hudson Valley town. Richard Beaven is a British freelance editorial and documentary photographer based in The Hudson Valley of New York.Kira Pollack is Creative Director of Vanity Fair magazine, Former Director of Photography Visual Enterprise at TIME magazine, and Deputy Photo Editor at The New York Times Magazine.Tom Lewis is Professor Emeritus of English at Skidmore College. The author of five books, including The Hudson, he lives in Scarborough, Maine. View Details

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BOOK INFO Hardcover, 10.5 X 8.25 In. / 164 Pages / 80 Color   ISBN 9780989798167 List Price: $45.00 “At once a historical archive, a moving portrait and a call to action, the photographic series captures the beauty of the human spirit even in the most nightmarish of circumstances.”, - The Huffington Post, April 7, 2015 “Maj affords dignity to her subjects.”, - American Photo Magazine, Best Photobooks of the Year, December 11, 2015Also featured by: Time Magazine, NPR, The Wall Street Journal, The Washington Post, Vice, HyperallergicPhotographs by Gabriela Maj Over the course of four years (2010 – 2014), Polish-Canadian photographer Gabriela Maj travelled throughout Afghanistan to collect portraits and stories from inside the country’s women’s prisons, including the most notorious penitentiary for women, Badam Bagh, located on the outskirts of Kabul. Maj’s project is the largest record documenting the experiences of incarcerated women in Afghanistan produced to date. Her hauntingly beautiful, compassionate photographs, along with the accompanying personal stories of the inmates, are gathered together in her first monograph. The majority of the prisoners Maj documented were incarcerated for what are known in Afghanistan as “moral crimes,” accused of running away from forced marriages, being sold into prostitution, domestic slavery, physical violence generally conducted by their husbands, and rape and involuntary pregnancy. Being an independent female photographer enabled Maj to gain extraordinary access to her subjects with whom she established rapport and trust, visiting with many of the incarcerated women featured in the book over the course of multiple visits. Together, the voices in Almond Garden are a testimony to the human rights abuses many Afghan women continue to endure, and a call to action for the much-needed support in the battle for women’s rights in Afghanistan from the international community. Prison Photography.orgL'Oeil de la Photographie View Details
Book Details: Paper over boardISBN-13: 9781942084839116 pages; 4 drawings / 9 B&W Photographs / 67 Color Photographs 10 x 9 inches$45 US; $58.99 CAN"Elsasser had been long affected by Carl Jung’s concepts of synchronicity and the unconscious. His story points towards inner journeys, clarity and healing." - The Guardian, July 8, 2020"It is clear that, considering the saturation and contrasts of the selection of images, this is a much more complex work." - F-Stop MagazineAlso featured in:We Heart, Art Daily, and Abstract Magazine.Photographs by George ElsasserEssay by Deborah McLeodAfterword by George ElsasserAmerican Psyche: The Unlit Cave is a conceptual arrangement of photographs made in the United States from 2005 to 2019. The story begins with four of George Elsasser's drawings made in 1999. The photographs are visual metaphors mirroring the artist's reactions to America's colonialism, the current moment and our inability to live up to American ideals. Long affected by Carl Jung's concepts of synchronicity and the unconscious, Elsasser's story ultimately points towards inner journeys, clarity and healing.George Elsasser, who had been drawing since childhood, discovered photography at twenty-one and found that, unmoored from traditional uses, it was perfect for his artistic intuitions. He's been included in shows at the Chrysler Museum of Art and New York University (NYU). In 1997 he received a 20-year Retrospective at the Hermitage Museum, Norfolk, VA. Elsasser received his degree in art in 1984, has taught various photography classes at The Virginia Museum of Contemporary Art (MOCA). He has done both advertising and institutional photography in addition to 12 years of journalistic style weddings.Deborah McLeod is a longtime curator and the owner of Chroma Projects Art Laboratory in Charlottesville, VA.  View Details

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BOOK INFOPaper over Board, 10 X 10 In. / 112 Pages / 50 ColorISBN 9781942084198List Price: $45.00"Carroll’s elaborate mise-en-scènes explore the mysteries and complexities of femininity and domestic life.", - American Photo Magazine, February 10, 2017"Despite the seriousness of the subject, the photos are attractive and whimsical, and take a lighthearted approach to the macabre.", - The New York Times Lens Blog, March 30, 2017"...startling images in which a woman is replaced by the material world...", - Photo District News, January 18, 2017Photographs by Patty CarrollAnonymous Women is a series of photographs with models using household objects and drapery to comment on women and domesticity. For over twenty years, Patty Carroll has staged photographs using models, drapery, and household objects to add to the dialogue surrounding femininity and the domestic sphere. Anonymous Women presents images that symbolize the psychological states of women around the world by showing them hidden behind, and intertwined with, visually stunning domestic scenes. These not-so-still-lives are colorful, beautiful, mysterious, and humorous, articulating the many complex relationships—both personal and cultural—that exist between women and the home.Patty Carroll is a photographer and educator who has previously published four books. This body of work has been featured in over thirty online blogs, magazines, and news sources. Carroll was a Photolucida Top 50 in 2014, and has received numerous awards for this project View Details

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BOOK INFOPaper over Board, 13 X 11 in. / 196 Pages / 152 Color Photographs / 18 InsertsISBN 9781942084365List Price: $50.00“While the book is undoubtedly documentary, Ms. Malik’s account is first and foremost a personal investigation of her own memory.”,- The New York Times, June 20, 2017“Here, cultures that usually clash blend together, and identity outgrows simple, nationalistic terms.”,- Aperture, September 14, 2017...a strangely personal, honest, and childlike view of a place that, to most, seems bizarre.”,- Vice, September 13, 2017Photographs by Ayesha MalikContributions by Elizabeth Renstrom  In ARAMCO: Above the Oil Fields, Ayesha Malik delivers a personalized account of life within Dhahran, Saudi Arabia, a gated community originally created as a home for American employees of the Arabian American Oil Company (now known as Saudi Aramco). This small town houses the world's wealthiest company, which also owns the world's largest crude oil reserves. In 2018, as part of Saudi Arabia's Vision 2030 plan, the public sale of a percentage of the company is expected to be the biggest IPO in history, valued at around $2 trillion. Malik shares the surprising warmth, familiarity, and timelessness of this 22-and-a-half square-mile place that so many Aramcons call home. Malik's photographs provoke conversation about the perception of and preconceived ideas about a home that is neither fully Saudi nor fully American -- a home unlike any other.Ayesha Malik divides her time between New York City and Saudi Arabia working on self-directed photo projects. Her work has been featured in Time Lightbox, VICE Magazine, Le Monde's M Magazine, The New York Times, Refinery29, and Offset, amongst others. View Details
Book Details: HardcoverISBN-13: 9781954119567 Hardcover (two books in slipcase) Book 1: 168 pagesBook 2: 200 pages9in x 12inEssays by: Miss Rosen and Theodore ZinnBooks will ship in JulyDuring the 2020 Covid-19 lockdown, Vincent Cianni revisited over one hundred rolls of film from NYC Pride marches photographed between 1985 and 1995. For three months, he spent 6 to 8 hours a day, 5 to 6 days a week in the darkroom, editing and printing more than 140 photographs, many of which had never been printed before. The images documented Pride marches that took place during the height of another health crisis, the AIDS epidemic, the insidious and devastating disease that ravaged the LGBTQ+ community. The parallels between the two health crises became clear as news reports on the pandemic unfolded, revealing the same failures of government repeating themselves yet again. The marches also affirmed that healthcare, including treatment for people with HIV/AIDS, is a right. They demanded an end to the stigma and criminalization of HIV, as well as a more effective response from medical and government agencies and officials who fail to provide funding for research on medical treatment or offer legal, housing, and medical services to people with limited access. This demonstration of solidarity strengthened the sense of community and helped protect the rights earned from the Stonewall Rebellion in 1969 and the first NYC Pride March, also known as the Christopher Street Liberation Day March, which took place on June 28, 1970, one year after the Stonewall Rebellion."Archive/Journal: 1985-1995/2001" is a two-volume title in a slipcase bringing together two related bodies of work: Volume 1, "Archive 1985-1995," reproduces approximately 80 black-and-white photographs made of the NYC Pride marches during the height of the AIDS epidemic from 1985 to 1995. The photographs are accompanied by timelines, ephemera, newspaper articles, etc., and essays by Miss Rosen and Theodore Zinn, to expand the political, social, and historical understanding of the culture, activism, and milieu of the LGBTQ+ community.       Volume 2: "Journal: 1985-2001" focuses on personal narratives culled from Cianni's journals, and visual stories of lovers and friends who were living with or who died from AIDS, reflecting on his journey with HIV and his experience with activism surrounding HIV/AIDS from the same period as the Pride photographs.Vincent Cianni is a documentary photographer, educator, and activist who explores social justice through image, text, and audio. He was Adjunct Associate Professor at the Parsons School of Design for 30 years and the founder and director of the Newburgh Community Photo Project, a grassroots community photo workshop in Newburgh, NY. We Skate Hardcore was published by NYU Press and the Center for Documentary Studies in 2004, and a major survey was exhibited at the Museum of the City of New York in 2006. Gays in the Military (GITM) was published by Daylight Books in May 2014 and was featured in the New York Times Sunday Review and The Katie Couric Show.Miss Rosen is a New York-based writer focusing on art, photography, and cultural history. Her work has been published in books by Janette Beckman, Joe Conzo, Martha Cooper, and Arlene Gottfried, as well as publications including The New Yorker, The Village Voice, i-D, Dazed, and AnOther.Theo Zinn (they/them) is a graduate of Drexel University (2025), with degrees in art history and photography. Their research focuses on contemporary art and the history of queer photography. As a photographer, Theo primarily shoots live concerts and theater performances, as well as BTS for film sets.  View Details
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