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Announcing: The Bamako Encounters / Rencontres De Bamako 2015

Posted by Joseph Bensimon on

Rencontres De Bamako is a biennial exhibition of Pan-African visual artists, now in its 10th edition. Taking place in Bamako, Mali, the festival features exhibitions, screenings, talks, and educational programs.For more, visit: rencontres-bamako.comDATES: Oct 31 - Dec 31

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NEW DAYLIGHT DIGITAL EDITION: 'WE WERE HERE BY' Eirik Johnson & Jon Feinstein

Posted by Joseph Bensimon on

Eirik Johnson's emotionally charged photographs of adolescent carvings in tree trunks are shot entirely at night using sparklers, moonlight and prismatic light. The resulting pictures are luminous remnants of love, devotion and personal obsession. With text by Jon Feinstein. View the feature here!  

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CALL FOR ENTRIES: PHOTOLUCIA'S CRITICAL MASS

Posted by Joseph Bensimon on

Registration is now open for photolucida's Critical Mass. The aim of Critical Mass is to provide participants with career-building opportunities and to promote the best emerging and mid-career artists working today. Critical Mass is about exposure, connection, community, and some very notable awards! Details here. DEADLINE: July 28

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Mariette Pathy Allen's 'TransCuba' featured in the San Francisco Chronicle

Posted by Joseph Bensimon on

"Your identity, your sense of self is about as big an issue as anything else. It's something we all have to deal with every day... When you get up in the morning, what do you put on? What does it mean? How do you present yourself? What do you see when you look in the mirror?" Mariette Pathy Allen discusses her projects focusing on transgender people and communities with the San Francisco Chronicle. TransCuba, Allen's most recent project, is currently on view at Rayko Photo Center, in San Francisco, CA. Read the full article here!

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Harvey Wang's 'From Darkroom to Daylight' Featured in The New Yorker's Photo Booth

Posted by Joseph Bensimon on

Wang's From Darkroom to Daylight features portraits and conversations with photographers Susan Meiselas, Gregory Crewdson, Sally Mann and more on the photographic technologies they use. Read excerpts in The New Yorker's article here!  

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