Check out "At Home with Morris", a new exhibition by photographer Katherine Green opening TONIGHT at Penny Fielding Gallery & Interiors in London. On view until June 2nd.

Artist Reception: TONIGHT, April 4th, 6:30 - 9:30pm

Info: http://www.pennyfielding.com/blog/index.php/at-home-with-morris-katherine-green/

Image: "At Home with Morris (Cushions on bed)", 2007 by Katherine Green.

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Don't forget to enter the 2013 Daylight Photo Awards! Deadline is May 1st.

Submit: http://www.daylightphotoawards.com

Past winners include Aaron Vincent Elkaim, 2012 Daylight Photo Award Winner for his project "Fort McKay: Sleeping with the Devil". 

Multimedia: http://daylightbooks.org/podcast/october2012

Image by Aaron Vincent Elkaim.

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Join Jaime Permuth for a signing of his book "Yonkeros" at ICP on Friday, April 12th, 6 - 7:30PM. 

Info: bit.ly/15JbXKv

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The Aish Center is thrilled to present "Along The Bronx River", a series of landscape photographs by Nicholas Pollack. Join them for the opening on Wednesday, April 10th 7:30pm at the Aish Center - 313 W83rd St, NY 10024.

Facebook event: http://www.facebook.com/events/440281072717152/

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Out of 1,600 entries, the judges for the 2013 8x10 Photography Biennial Contest have narrowed it down to 8 winners and 10 honorable mentions. The winning recipients of the competition will have their work revealed at the Hearst Tower on April 2, 2013. Attracting over 1,000 entries in its first year in 2009, the 8x10 Photography Biennial Contest has grown considerably in the amount of interest/applications since its inception. And with high caliber judges like Roberta Myers, Alexandra Kotur, John Demsey, Matthew Pilsbury, Timothy White, Yancey Richardson, James Danziger, and Yossi Milo for this years competition, viewers can expect a display of exceptional photography. Be sure to stop by the Hearst Towers on April 2nd.

Press Release: http://www.hearst8x10.com/press_release_2013.pdf

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Submit your images to the New York Center for Photographic Arts Spring 2013 - International Open Call for Entry! Theme is Water and deadline is April 30th.

Info: http://www.nyc4pa.com/#!water-2013

Image: "Snowy Egret" by Dianne Yudelson, Winter 2012 Grand Prize Winner.

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POPCAP is a prize for contemporary African photography that is awarded to photographic portfolios dealing with African themes. Submissions will be judged by a panel of seventeen internationally-sourced judges, with the winning entries publicly exhibited before and during Art Basel 44, at PhotoIreland 2013, and others.

Deadline is May 1st, 2013.

Link: http://www.piclet.org/home/POPCAP--13-About.html

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Check out Lynn Saville's show "Vacancy" at Gallery Kayafas in Boston. On view until March 30th. 

Info: http://www.gallerykayafas.com

Photograph: "Girl on the High Line" by Lynn Saville

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Check out "Ethiopia: A Reenactment Through Fiction and Image" at apexart in NYC. Photographer Eric Gottesman will share selections from his project Baalu Grima about the assassinated Ethiopian author, and filmmaker Yemane Demissie will screen clips from his film Dead Weight. A discussion about these overlapping themes will be moderated by Maaza Mengiste, the critically acclaimed author of Beneath the Lion's Gaze.

Wednesday, March 27th, 7 - 9PM. 

Info: http://apexart.org/events/ethiopia.php

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potomontage from 'zine

hateful

March 1-30, 2013

LUMP GALLERY

http://teamlump.org/home.html

505 S. Blount Street
Raleigh, NC 27601
919.889.2927

Gallery hours - Saturdays 1 - 5pm and by appointment during the week.

 

The gallery text sums up hateful like this, "Hateful creates, manipulates, and collages images in order to play with notions of femininity and masculinity, juxtaposing archival and contemporary photographs to reveal gendered concerns as timeless performances. Hateful is a collaboration between Tory Wright, based in North Carolina where she works in visual merchandising, and Lydia Moyer, based out of Virginia where she teaches art at the University of Virginia. Along with a cast of occasional collaborators, Wright and Moyer use Hateful as a platform to do things that don’t fit neatly into their individual studio practices and to take risks they might never take on their own."

 

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