David Maisel

Photograph by David Maisel

 

The Alphabet of Light 

Conscientious, a response 

I played in a band for 15 years with a brilliant guitarist nobody’s probably ever heard of. He used to say the best songs and best songwriters will never be heard. The world’s best guitarists are noodling around in their basements with some Fender amp tweaked up, bending notes through hot-wired distortion and wah pedals that would defy Hendrix. 

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Photographs Not Taken: A Collection of Photographers' Essays

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Featured in the New York Times, New Yorker, TIME, Wall Street Journal, Guardian, La Repubblica, Wired, Photograph, and Artnet

Edited by Will Steacy
Introduction by Lyle Rexer
Paperback, 232 pages

Photographs Not Taken is a collection of essays by photographers about moments that never became a picture. Conceived and edited by Will Steacy, each photographer was asked to abandon the camera and, instead, use words to recreate the image that never made it through their lens.

Featuring contributions from over sixty photographers! Dave Anderson, Timothy Archibald, Roger Ballen, Thomas Bangsted, Juliana Beasley, Nina Berman, Elinor Carucci, Kelli Connell, Paul D'Amato, Tim Davis, KayLynn Deveney, Doug Dubois, Rian Dundon, Amy Elkins, Jim Goldberg, Emmet Gowin, Gregory Halpern, Tim Hetherington, Todd Hido, Rob Hornstra, Eirik Johnson, Chris Jordan, Nadav Kander, Ed Kashi, Misty Keasler, Lisa Kereszi, Erika Larsen, Shane Lavalette, Deana Lawson, Joshua Lutz, David Maisel, Mary Ellen Mark, Laura McPhee, Michael Meads, Andrew Moore, Richard Mosse, Zwelethu Mthethwa, Laurel Nakadate, Ed Panar, Christian Patterson, Andrew Phelps, Sylvia Plachy, Mark Power, Peter Riesett, Simon Roberts, Joseph Rodriguez, Stefan Ruiz, Matt Salacuse, Alessandra Sanguinetti, Aaron Schuman, Jamel Shabazz, Alec Soth, Amy Stein, Mark Steinmetz, Joni Sternbach, Hank Willis Thomas, Brian Ulrich, Peter Van Agtmael, Massimo Vitali, Hiroshi Watanabe, Alex Webb, Rebecca Norris Webb

 

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Issue #3, Sustainability

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Featuring portfolios by: David Maisel, Edgar Martins, Leonie Purchas, Joel Sternfeld, Bo Thomassen, and Jeff Whetstone In exploring issues of “Sustainability,” this edition of Daylight suggests that the dualistic representation of humans and nature can change, and that documentary photography’s role in this transformation can range in scope from the immense landscape—as seen in David Maisel’s stunning aerials of a breathing, living Los Angeles; to the intimate images of people embodying lifestyles of low environmental and economic impact, as seen through the work Joel Sternfeld and Leonie Purchas; to the Daylight-initiated self-representative documentary work of domestic renewable fuel producers.

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